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Table of Contents

  1. "All sorts of pitfalls and surprises": Competing Views of Idealized Girlhood in Lewis Carroll's Alice Books
  2. Jennifer Geer
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/chl.2003.0008
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  1. Difficult Sympathy in the Reconstruction-Era Animal Stories of Our Young Folks
  2. Brandy Parris
  3. pp. 25-49
  4. DOI: https://doi.org/10.1353/chl.2003.0014
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  1. Singing Mignon's Song: German Literature and Culture in the March Trilogy
  2. Christine Doyle
  3. pp. 50-70
  4. DOI: https://doi.org/10.1353/chl.2003.0005
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  1. Shooting Bears, Saving Butterflies: Ideology of the Environment in Gibson's Herm and I (1894) and Klass's California Blue (1994)
  2. Laura Apol
  3. pp. 90-115
  4. DOI: https://doi.org/10.1353/chl.2003.0002
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  1. The Value of Singularity in First- and Restricted Third-Person Engaging Narration
  2. Andrea Schwenke Wyile
  3. pp. 116-141
  4. DOI: https://doi.org/10.1353/chl.2003.0017
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  1. Saving "Cinderella": History and Story in Ashpet and Ever After
  2. Elisabeth Rose Gruner
  3. pp. 142-154
  4. DOI: https://doi.org/10.1353/chl.2003.0010
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  1. Fantasizing It As It Is: Religious Language in Philip Pullman's Trilogy, His Dark Materials
  2. David Gooderham
  3. pp. 155-175
  4. DOI: https://doi.org/10.1353/chl.2003.0009
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  1. Once Upon an Earlier Time
  2. Christina Salowey
  3. pp. 176-180
  4. DOI: https://doi.org/10.1353/chl.2003.0016
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  1. Victorian Illustrators and Their Critics
  2. George Bodmer
  3. pp. 181-185
  4. DOI: https://doi.org/10.1353/chl.2003.0003
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  1. Save the Children?: Children's Cinema in the Corporate Grip
  2. Anne Morey
  3. pp. 186-191
  4. DOI: https://doi.org/10.1353/chl.2003.0011
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  1. How, But Not What or Why
  2. Perry Nodelman
  3. pp. 192-200
  4. DOI: https://doi.org/10.1353/chl.2003.0012
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  1. Everything You Always Wanted to Know about Louisa May Alcott. ..
  2. Monika M. Elbert
  3. pp. 201-205
  4. DOI: https://doi.org/10.1353/chl.2003.0006
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  1. Venting the Child: The Limits of a Polemic
  2. Karen Coats
  3. pp. 206-214
  4. DOI: https://doi.org/10.1353/chl.2003.0004
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  1. Dissertations of Note
  2. Rachel Fordyce
  3. pp. 215-226
  4. DOI: https://doi.org/10.1353/chl.2003.0007
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  1. From the Editor
  2. Julie Pfeiffer
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/chl.2003.0015
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  1. Mary Norton's "Borrowers" Series and the Myth of the Paternalist Past
  2. Andrew O'Malley
  3. pp. 71-89
  4. DOI: https://doi.org/10.1353/chl.2003.0013
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  1. Contributors and Editors
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/chl.2003.0001
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Volume 30, 2002

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Volume 32, 2004