1. In Memoriam
  2. p. 284
  3. DOI: 10.1353/cdr.1994.0021
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  1. Wagner's Ring as Nineteenth-Century Artifact
  2. Herbert Lindenberger
  3. pp. 285-310
  4. DOI: 10.1353/cdr.1994.0025
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  1. Admirable Musicians: Women's Songs in Othello and The Maid's Tragedy
  2. Rochelle Smith
  3. pp. 311-323
  4. DOI: 10.1353/cdr.1994.0029
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  1. False Fidelity: Othello, Otello, And Their Critics
  2. James Aldrich-Moodie
  3. pp. 324-347
  4. DOI: 10.1353/cdr.1994.0033
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  1. The Ingressus Pilatus Chant in Medieval German Drama
  2. Stephen K. Wright
  3. pp. 348-366
  4. DOI: 10.1353/cdr.1994.0011
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  1. The Ensalada and the Origins of the Lyric Theater in Spain
  2. Maricarmen Gómez
  3. pp. 367-393
  4. DOI: 10.1353/cdr.1994.0015
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  1. An Outward Show: Music for Shakespeare on the London Stage, 1660-1830 by Randy L. Neighbarger (review)
  2. Anne Russell
  3. pp. 394-397
  4. DOI: 10.1353/cdr.1994.0019
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  1. Music in the Theater: Essays on Verdi and Other Composers by Pierluigi Petrobelli (review)
  2. Gary Schmidgall
  3. pp. 397-399
  4. DOI: 10.1353/cdr.1994.0023
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  1. Le Jeu de Robin et Marion by Adam de la Halle (review)
  2. Matthew Steel
  3. pp. 399-403
  4. DOI: 10.1353/cdr.1994.0027
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  1. Shakespeare and Opera by Gary Schmidgall (review)
  2. William E. Grim
  3. pp. 403-404
  4. DOI: 10.1353/cdr.1994.0031
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  1. The Function of Song in Contemporary British Drama by Elizabeth Hale Winkler (review)
  2. Elise Bickford Jorgens
  3. pp. 404-406
  4. DOI: 10.1353/cdr.1994.0009
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