1. Ecstasy and Peak-Experience: W. B. Yeats, Marghanita Laski, and Abraham Maslow
  2. Natalie Crohn Schmitt
  3. pp. 167-181
  4. DOI: 10.1353/cdr.1994.0012
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  1. The Medieval Plough Team on Stage: Wordplay and Reality in the Towneley Mactacio Abel
  2. Margaret Rogerson
  3. pp. 182-200
  4. DOI: 10.1353/cdr.1994.0016
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  1. Men Beware Men: Shakespeare's Warnings for Unfair Husbands
  2. Ruth Vanita
  3. pp. 201-220
  4. DOI: 10.1353/cdr.1994.0020
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  1. "This game wel pleyd in good a-ray": The N-Town Playbooks and East Anglian Games
  2. Douglas Sugano
  3. pp. 221-234
  4. DOI: 10.1353/cdr.1994.0024
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  1. The Boundaries of the Rhetoricians' Stage
  2. W. M. H. Hummelen
  3. pp. 235-251
  4. DOI: 10.1353/cdr.1994.0028
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  1. Appropriating Shakespeare by Brian Vickers (review)
  2. Grace Tiffany
  3. pp. 252-257
  4. DOI: 10.1353/cdr.1994.0032
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  1. Regicide and Restoration: English Tragicomedy, 1660-1671 by Nancy Klein Maguire (review)
  2. Derek Hughes
  3. pp. 257-259
  4. DOI: 10.1353/cdr.1994.0010
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  1. Gli araldi della commedia: Teatro a Firenze nel Rinascimento by Paola Ventrone (review)
  2. Konrad Eisenbichler
  3. pp. 260-261
  4. DOI: 10.1353/cdr.1994.0014
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  1. Hamlet versus Lear: Cultural Politics and Shakespeare's Art by R. A. Foakes (review)
  2. John D. Cox
  3. pp. 265-268
  4. DOI: 10.1353/cdr.1994.0022
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  1. Shakespeare's Comic Commonwealths by Camille Wells Slights (review)
  2. Harriet C. Frazier
  3. pp. 268-269
  4. DOI: 10.1353/cdr.1994.0026
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  1. Shakespeare's Midwives: Some Neglected Shakespeareans by Arthur Sherbo (review)
  2. John M. Wasson
  3. pp. 269-271
  4. DOI: 10.1353/cdr.1994.0030
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  1. Correspondence
  2. Peggy Muñoz Simonds, Michael Bath
  3. pp. 274-281
  4. DOI: 10.1353/cdr.1994.0017
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