In this Issue

Table of Contents

All manner of revolving things: Musical technology, domestic anxiety and The Twilight Zone’s ‘A Piano in the House’ (1962)

Nicholas C. Laudadio
pp. 159-177
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Sound warrior: Voice, music and power in Dark Angel

Clarice M. Butkus
pp. 179-199
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Reshaping the universe in an amorphous image

Marc Napolitano
pp. 201-220
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Adapting to language: Anthony Burgess’s and Stanley Kubrick’s A Clockwork Orange

Sean McQueen
pp. 221-241
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Short sf films 2010 (11–60-minutes duration)

Ritch Calvin
pp. 243-272
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Martian montage: Chris Marker’s sf

Roger Luckhurst
pp. 273-286
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Reconditioning the fantastic

David Butler
pp. 287-299
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Cinema Inferno: Celluloid Explosions from the Cultural Margins (review)

Jeff Hicks
pp. 301-304
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Ruminations, Peregrinations, and Regenerations: A Critical Approach to Doctor Who (review)

Jim Leach
pp. 305-308
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Claude Rains: An Actor’s Voice (review)

Mark Bould
pp. 308-311
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Disney TV (review)

De Witt Douglas Kilgore
pp. 311-314
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Captain Eager and the Mark of Voth (review)

Mark Bould
pp. 315-317
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Index to volume 5

pp. 321-322
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About the contributors

pp. 319-320
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