1. Editorial
  2. Drake Stutesman
  3. pp. 303-304
  4. DOI: 10.1353/frm.2012.0019
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  1. Georges Méliès: Anti-Boulangist Caricature and the Incohérent Movement
  2. Matthew Solomon
  3. pp. 305-327
  4. DOI: 10.1353/frm.2012.0021
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  1. Markopoulos and the Temenos
  2. P. Adams Sitney
  3. pp. 331-340
  4. DOI: 10.1353/frm.2012.0014
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  1. Small Books about God: The American Artistry of Jonathan Edwards and Robert Beavers
  2. Rebekah Rutkoff
  3. pp. 341-359
  4. DOI: 10.1353/frm.2012.0015
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  1. A Cinematic Alchemy: Lawrence Jordan and the Palimpsest of Cinema
  2. Richard Deming
  3. pp. 360-379
  4. DOI: 10.1353/frm.2012.0016
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  1. Sorting Facts; or, Nineteen Ways of Looking at Marker
  2. Susan Howe
  3. pp. 380-428
  4. DOI: 10.1353/frm.2012.0017
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  1. Without Words, What Are Facts?: Looking at Susan Howe Looking at Marker
  2. Drake Stutesman
  3. pp. 429-466
  4. DOI: 10.1353/frm.2012.0018
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  1. The Experimental Film Remake and the Digital Archive Effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake
  2. Jaimie Baron
  3. pp. 467-490
  4. DOI: 10.1353/frm.2012.0020
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