1. Correction
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  1. Hegel (and Wagner) in James Joyce's "Drama and Life"
  2. Robert Baines
  3. pp. 1-12
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  1. The Genesis of Leopold Bloom: Writing the Lives of Rudolph Virag and Ellen Higgins in Ulysses
  2. Luca Crispi
  3. pp. 13-31
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  1. The Occlusion of René Descartes in Ulysses and Finnegans Wake
  2. Steven Bond
  3. pp. 32-55
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  1. In the Wake of Fair Use: Incest, Citation and the Legal Legacy of Finnegans Wake
  2. Maxime D. McKenna
  3. pp. 56-72
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  1. Yeats, On the Boiler, the Aesthetics of Cultural Disintegration and the Program for Renewal "of our own rich experience"
  2. Bernard McKenna
  3. pp. 73-90
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  1. Shades of Larkin: Singularity and Transcendence in Derek Mahon's "A Garage in Co. Cork"
  2. Richard Rankin Russell
  3. pp. 91-106
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  1. Mary Colum, Modernism, and Mass Media: An Irish-Inflected Transatlantic Print Culture
  2. Denise A. Ayo
  3. pp. 107-129
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  1. Thomas MacGreevy's Poetics of Loss: War, Sexuality, and Archive
  2. James McNaughton
  3. pp. 130-150
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  1. Chaos as a Mode of Living in Samuel Beckett's The Unnamable
  2. Mihaela P. Harper
  3. pp. 151-162
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  1. Putting the Impossible to Work: Beckettian Afterlife and the Posthuman Future of Humanity
  2. Ruben Borg
  3. pp. 163-180
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  1. Beckett in the World
  2. Maria Kager
  3. pp. 181-183
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  1. Beckett's Voices
  2. Maria Kager
  3. pp. 184-186
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  1. Traces Historicized: Beckett Traced
  2. Susan Mooney
  3. pp. 187-191
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  1. Scholarly Debts to Beckett's Modernism
  2. Sonja Jankov
  3. pp. 192-196
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  1. Beckett, a Husserlian: A Review of Beckett and Phenomenology
  2. Daniel Hazard
  3. pp. 197-200
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  1. Joyce the Filmmaker
  2. Guillermo Sanz Gallego
  3. pp. 201-205
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  1. Adultery-Within-Marriage: Joyce's Love Plot
  2. Janina Levin
  3. pp. 206-209
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  1. Disciplined? Decidedly: A Review of Joyce's Disciples Disciplined
  2. Cliff Mak
  3. pp. 210-213
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  1. Notes on Contributors
  2. pp. 214-217
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