Articles

  1. Suicide as Message and Metadrama in English Renaissance Tragedy
  2. Richard K. Sanderson
  3. pp. 199-217
  4. DOI: 10.1353/cdr.1992.0028
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  1. Radical Mimesis: The "Pinter Problem" Revisited
  2. David Z. Saltz
  3. pp. 218-236
  4. DOI: 10.1353/cdr.1992.0033
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  1. "A beggar's book Outworths a noble's blood": The Politics of Faction in Henry VIII
  2. Stuart M. Kurland
  3. pp. 237-253
  4. DOI: 10.1353/cdr.1992.0003
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  1. Falstaff's False Staff: "Jonsonian" Asexuality in The Merry Wives of Windsor
  2. Grace Tiffany
  3. pp. 254-270
  4. DOI: 10.1353/cdr.1992.0008
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Reviews

  1. The Plays of John Heywood ed. by Richard Axton and Peter Happé (review)
  2. David Bevington
  3. pp. 271-276
  4. DOI: 10.1353/cdr.1992.0014
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  1. Modern British Drama, 1890-1990 by Christopher Innes (review)
  2. J. L. Styan
  3. pp. 276-279
  4. DOI: 10.1353/cdr.1992.0020
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  1. Ancient Sun, Modern Light: Greek Drama on the Modern Stage by Marianne McDonald (review)
  2. Brian Johnston
  3. pp. 279-282
  4. DOI: 10.1353/cdr.1992.0026
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  1. Retreats from Realism in Recent English Drama by Ruby Cohn (review)
  2. June Schlueter
  3. pp. 284-286
  4. DOI: 10.1353/cdr.1992.0001
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  1. Shakespeare's Speaking Properties by Frances Teague (review)
  2. James Fisher
  3. pp. 286-287
  4. DOI: 10.1353/cdr.1992.0006
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  1. Around the Absurd: Essays on Modern and Postmodern Drama ed. by Enoch Brater and Ruby Cohn (review)
  2. James Coakley
  3. pp. 289-292
  4. DOI: 10.1353/cdr.1992.0018
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  1. Theater and World: The Problematics of Shakespeare's History by Jonathan Hart (review)
  2. Larry S. Champion
  3. pp. 292-294
  4. DOI: 10.1353/cdr.1992.0024
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