In this Issue

Table of Contents

August Strindberg: A Modernist in Spite of Himself

Göran Stockenström
pp. 95-123
DOI: https://doi.org/10.1353/cdr.1992.0013
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Frame Structure in The Conversion of St. Paul

Victor I. Scherb
pp. 124-139
DOI: https://doi.org/10.1353/cdr.1992.0019
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Contemporary Contexts of Jonson's The Devil Is an Ass

Robert C. Evans
pp. 140-176
DOI: https://doi.org/10.1353/cdr.1992.0025
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Shakespeare's Early History Plays: Politics at Play on the Elizabethan Stage by Donald G. Watson, and: These Valiant Dead: Renewing the Past in Shakespeare's Histories by Robert C. Jones (review)

Barbara Hodgdon
pp. 177-182
DOI: https://doi.org/10.1353/cdr.1992.0030
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Fastelavnsspillet i Danmarks senmiddelalder—om "Den utro hustru" og fastelavnsspillets tradition by Leif Søndergaard (review)

Larry Syndergaard
pp. 183-188
DOI: https://doi.org/10.1353/cdr.1992.0000
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Enacting the Sacrament: Counter-Lollardy in the Towneley Cycle by Lauren Lepow (review)

Ann Eljenholm Nichols
pp. 188-189
DOI: https://doi.org/10.1353/cdr.1992.0005
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Performing Drama/ Dramatizing Performance: Alternative Theater and the Dramatic Text by Michael Vanden Heuvel (review)

Stanton B. Garner Jr.
pp. 190-193
DOI: https://doi.org/10.1353/cdr.1992.0010
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Mock Kings in Medieval Society and Renaissance Drama by Sandra Billington (review)

John D. Cox
pp. 193-196
DOI: https://doi.org/10.1353/cdr.1992.0016
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Unconventional Conventions in Theatre Texts ed. by Günter Ahrends and Hans-Jürgen Diller (review)

Heinz Kosok
pp. 196-198
DOI: https://doi.org/10.1353/cdr.1992.0022
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