1. Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory
  2. Scott Cutler Shershow
  3. pp. 1-18
  4. DOI: 10.1353/cdr.1992.0011
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  1. Performers and Performance in the Earliest Serious Secular Plays in the Netherlands
  2. Willem M. H. Hummelen
  3. pp. 19-33
  4. DOI: 10.1353/cdr.1992.0017
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  1. Memory and Madness in Pirandello's Enrico IV
  2. Jerome Mazzaro
  3. pp. 34-57
  4. DOI: 10.1353/cdr.1992.0023
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  1. The Regnum Humanitatis Trilogy: A Humanist Manifesto
  2. Eugene J. Devlin
  3. pp. 58-72
  4. DOI: 10.1353/cdr.1992.0029
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  1. The End Crowns All: Closure and Contradiction in Shakespeare's History by Barbara Hodgdon (review)
  2. Matthew H. Wikander
  3. pp. 73-76
  4. DOI: 10.1353/cdr.1992.0034
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  1. Restoration and Georgian England, 1660-1788 ed. by David Thomas and Arnold Hare (review)
  2. Derek Hughes
  3. pp. 76-77
  4. DOI: 10.1353/cdr.1992.0004
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  1. Herefordshire, Worcestershire ed. by David N. Klausner (review)
  2. Clifford Davidson
  3. pp. 78-80
  4. DOI: 10.1353/cdr.1992.0009
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  1. International Bibliography of Theatre: 1985 ed. by Berito Ortolani (review)
  2. Ian Lancashire
  3. pp. 80-83
  4. DOI: 10.1353/cdr.1992.0015
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  1. Shakespeare on the German Stage , I: 1586-1914 by Simon Williams (review)
  2. Christa Jansohn
  3. pp. 83-85
  4. DOI: 10.1353/cdr.1992.0021
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  1. The N-Town Passion by Robert Cohen (review)
  2. Garrett P. J. Epp
  3. pp. 86-88
  4. DOI: 10.1353/cdr.1992.0027
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  1. The Theatre of Medieval Europe: New Research in Early Drama ed. by Eckehard Simon (review)
  2. Lynette R. Muir
  3. pp. 91-92
  4. DOI: 10.1353/cdr.1992.0002
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  1. Shakespeare, Jonson, and the Myth of Venice by David McPherson (review)
  2. Robert C. Evans
  3. pp. 92-94
  4. DOI: 10.1353/cdr.1992.0007
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