1. Three Stages of A Doll House
  2. Brian Johnston
  3. pp. 311-328
  4. DOI: 10.1353/cdr.1991.0015
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  1. Byron and the Drama of Temptation
  2. Mervyn Nicholson
  3. pp. 329-350
  4. DOI: 10.1353/cdr.1991.0023
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  1. The Actor and the Statue: Space, Time, and Court Performance in Molière's Dom Juan
  2. Michael Spingler
  3. pp. 351-368
  4. DOI: 10.1353/cdr.1991.0030
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  1. The Editorial Recuperation of Claudio
  2. Michael D. Friedman
  3. pp. 369-386
  4. DOI: 10.1353/cdr.1991.0037
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  1. The Gallican Saint's Life and the Late Roman Dramatic Tradition by E. Catherine Dunn (review)
  2. Robert R. Edwards
  3. pp. 390-393
  4. DOI: 10.1353/cdr.1991.0005
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  1. Theatre Semiotics: Signs of Life by Marvin Carlson (review)
  2. Anthony Graham-White
  3. pp. 396-397
  4. DOI: 10.1353/cdr.1991.0020
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  1. Medieval English Drama: An Annotated Bibliography of Recent Criticism by Sidney Berger (review)
  2. David N. Klausner
  3. pp. 397-399
  4. DOI: 10.1353/cdr.1991.0027
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  1. German Classical Drama: Theatre, Humanity and Nation 1750-1870 by F. J. Lamport (review)
  2. Steven R. Huff
  3. pp. 399-401
  4. DOI: 10.1353/cdr.1991.0034
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  1. The Birth of American Tragedy by Peter Egri (review)
  2. Michael Hinden
  3. pp. 401-403
  4. DOI: 10.1353/cdr.1991.0041
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  1. Index to Volume 25 (1991-92)
  2. pp. 405-406
  3. DOI: 10.1353/cdr.1991.0009
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