Articles

  1. Psychological Aspects of the Expression of Anger and Violence on the Stage
  2. Vladimir J. Konečni
  3. pp. 215-241
  4. DOI: 10.1353/cdr.1991.0035
  5. restricted access
  1. Undoing the Dramatic History of the Riga Ludus Prophetarum
  2. Regula Meyer Evitt
  3. pp. 242-256
  4. DOI: 10.1353/cdr.1991.0042
  5. restricted access
  1. Jonson's Copy of Seneca
  2. Robert C. Evans
  3. pp. 257-292
  4. DOI: 10.1353/cdr.1991.0003
  5. restricted access

Reviews

  1. Brecht and the West German Theatre: The Practice and Politics of Interpretation by John Rouse (review)
  2. Gail Finney
  3. pp. 293-295
  4. DOI: 10.1353/cdr.1991.0010
  5. restricted access
  1. Theatre in Spain, 1490-1700 by Melveena McKendrick (review)
  2. Joseph R. Jones
  3. pp. 295-297
  4. DOI: 10.1353/cdr.1991.0018
  5. restricted access
  1. Shakespeare: Text, Subtext, and Context ed. by Richard Dotterer (review)
  2. Gregory W. Lanier
  3. pp. 297-300
  4. DOI: 10.1353/cdr.1991.0025
  5. restricted access
  1. Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature by Natalie Crohn Schmitt (review)
  2. Daniel Watermeier
  3. pp. 300-302
  4. DOI: 10.1353/cdr.1991.0032
  5. restricted access
  1. The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages by Gail McMurray Gibson (review)
  2. Sally-Beth MacLean
  3. pp. 302-306
  4. DOI: 10.1353/cdr.1991.0039
  5. restricted access
  1. Waiting for Godot by Lawrence Graver, and: Waiting for Godot: Form in Movement by Thomas Cousineau (review)
  2. June Schlueter
  3. pp. 306-308
  4. DOI: 10.1353/cdr.1991.0000
  5. restricted access
  1. Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century by Gail Finney (review)
  2. Mary Ann Frese Witt
  3. pp. 308-310
  4. DOI: 10.1353/cdr.1991.0007
  5. restricted access