1. Shakespeare's Book of Genesis
  2. Russell Fraser
  3. pp. 121-128
  4. DOI: 10.1353/cdr.1991.0040
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  1. Harley Granville-Barker and the Response to Spanish Theater, 1920-1932
  2. David Callahan
  3. pp. 129-146
  4. DOI: 10.1353/cdr.1991.0001
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  1. All in the Family: Mother Courage and the Ideology in the Gestus
  2. Claire Gleitman
  3. pp. 147-167
  4. DOI: 10.1353/cdr.1991.0008
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  1. The Limits of Typology and the Wakefield Master's Processus Noe
  2. Edgar Schell
  3. pp. 168-187
  4. DOI: 10.1353/cdr.1991.0016
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  1. Text and Supertext in Ibsen's Drama by Brian Johnston (review)
  2. Michael X. Zelenak
  3. pp. 188-193
  4. DOI: 10.1353/cdr.1991.0024
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  1. The Absent Voice: Narrative Comprehension in the Theater by Stanton B. Garner, Jr. (review)
  2. J. L. Styan
  3. pp. 193-195
  4. DOI: 10.1353/cdr.1991.0031
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  1. The Artistry of Aeschylus and Zeami by Mae J. Smethurst (review)
  2. Sander M. Goldberg
  3. pp. 198-202
  4. DOI: 10.1353/cdr.1991.0045
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  1. Feminist Rereadings of Modern American Drama ed. by June Schlueter (review)
  2. Sue-Ellen Case
  3. pp. 202-204
  4. DOI: 10.1353/cdr.1991.0006
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  1. Sondheim and Co. by Craig Zadan (review)
  2. Gary Schmidgall
  3. pp. 208-211
  4. DOI: 10.1353/cdr.1991.0021
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