1. Visible Words: The York Plays, Brecht, and Gestic Writing
  2. Garrett P. J. Epp
  3. pp. 289-305
  4. DOI: 10.1353/cdr.1990.0033
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  1. Friedrich Hartwich's Globus Fortunae (1617): A Dramatization of the Amadis
  2. Steven R. Huff
  3. pp. 306-321
  4. DOI: 10.1353/cdr.1990.0040
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  1. Drama, Politics, and the Hero: Coriolanus, Brecht, and Grass
  2. Martin Scofield
  3. pp. 322-341
  4. DOI: 10.1353/cdr.1990.0047
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  1. The Lacanian Imaginary in Ibsen's Pillars of Society and The Wild Duck
  2. Oliver W. Gerland III
  3. pp. 342-362
  4. DOI: 10.1353/cdr.1990.0006
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  1. Everyman and Company ed. by Donald Gilman (review)
  2. Darryll Grantley
  3. pp. 367-370
  4. DOI: 10.1353/cdr.1990.0022
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  1. Visualizing the Moral Life: Medieval Iconography and the Macro Moralities by Clifford Davidson (review)
  2. Edgar Schell
  3. pp. 373-375
  4. DOI: 10.1353/cdr.1990.0037
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  1. Contexts for Early English Drama ed. by Marianne G. Briscoe and John C. Coldewey (review)
  2. Ann Eljenholm Nichols
  3. pp. 375-376
  4. DOI: 10.1353/cdr.1990.0044
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  1. "Bad" Shakespeare: Revaluations of the Shakespeare Canon ed. by Maurice Charney (review)
  2. Philip C. McGuire
  3. pp. 377-379
  4. DOI: 10.1353/cdr.1990.0003
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  1. Tarte à la crème: Comedy and Gastronomy in Molière's Theater by Ronald W. Tobin (review)
  2. Ronald D. Leblanc
  3. pp. 381-382
  4. DOI: 10.1353/cdr.1990.0019
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  1. Index to Volume 24 (1990-91)
  2. pp. 383-384
  3. DOI: 10.1353/cdr.1990.0027
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