1. Comedy and Control: Shakespeare and the Plautine Poeta
  2. Douglas Bruster
  3. pp. 217-231
  4. DOI: 10.1353/cdr.1990.0045
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  1. Records of Early French Drama in Parisian Notary Registers
  2. Stephen K. Wright
  3. pp. 232-254
  4. DOI: 10.1353/cdr.1990.0004
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  1. Richard II and Some Forms of Theatrical Time
  2. Edgar Schell
  3. pp. 255-269
  4. DOI: 10.1353/cdr.1990.0012
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  1. Shakespeare's Mercutio: His History and Drama by Joseph A. Porter (review)
  2. Eugene M. Waith
  3. pp. 272-275
  4. DOI: 10.1353/cdr.1990.0028
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  1. Tragic Method and Tragic Theology: Evil in Contemporary Drama and Religious Thought by Larry D. Bouchard (review)
  2. Michael Hinden
  3. pp. 275-278
  4. DOI: 10.1353/cdr.1990.0035
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  1. Vsevolod Meyerhold by Robert Leach (review)
  2. James Fisher
  3. pp. 278-279
  4. DOI: 10.1353/cdr.1990.0042
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  1. Sources of Four Plays Ascribed to Shakespeare ed. by G. Harold Metz (review)
  2. Harriet C. Frazier
  3. pp. 280-282
  4. DOI: 10.1353/cdr.1990.0001
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  1. Feminine Focus: The New Women Playwrights by Enoch Brater (review)
  2. Gail Finney
  3. pp. 282-284
  4. DOI: 10.1353/cdr.1990.0009
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  1. 'Hay for the Daughters!': Gender and Patriarchy in The Miseries of Civil War and Henry VI
  2. Joyce Green MacDonald
  3. pp. 193-216
  4. DOI: 10.1353/cdr.1990.0038
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