In this Issue

Table of Contents

Machines for the Suppression of Time: Statues in Suor Angelica, The Winter's Tale, and Alcestis

Robert C. Ketterer
pp. 3-23
DOI: https://doi.org/10.1353/cdr.1990.0008
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Text as Agent in Sam Shepard's Curse of the Starving Class

Charles R. Lyons
pp. 24-33
DOI: https://doi.org/10.1353/cdr.1990.0016
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Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama

Jody Enders
pp. 34-54
DOI: https://doi.org/10.1353/cdr.1990.0024
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'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue

Robert C. Evans
pp. 55-77
DOI: https://doi.org/10.1353/cdr.1990.0032
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Records of Early English Drama: Cambridge ed. by Alan H. Nelson (review)

Peter Happé
pp. 78-82
DOI: https://doi.org/10.1353/cdr.1990.0039
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Shakespeare Survey 40: Current Approaches to Shakespeare Through Language, Text, and Theatre ed. by Stanley Wells (review)

June Schlueter
pp. 82-84
DOI: https://doi.org/10.1353/cdr.1990.0046
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Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama by Thomas P. Adler (review)

Tom Small
pp. 84-86
DOI: https://doi.org/10.1353/cdr.1990.0005
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Ben Jonson and the Poetics of Patronage by Robert C. Evans (review)

Frances Teague
pp. 86-88
DOI: https://doi.org/10.1353/cdr.1990.0013
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Anticourt Drama in England, 1603-1642 by Albert H. Tricomi (review)

Richard Finkelstein
pp. 88-91
DOI: https://doi.org/10.1353/cdr.1990.0021
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New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)

Venne-Richard Londré
pp. 91-92
DOI: https://doi.org/10.1353/cdr.1990.0029
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Experiencing Shakespeare: Essays on Text, Classroom, and Performance by Charles H. Frey (review)

Michael Shapiro
pp. 92-93
DOI: https://doi.org/10.1353/cdr.1990.0036
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Correspondence

Barbara Fass Leavy, Thomas F. Van Laan
pp. 94-96
DOI: https://doi.org/10.1353/cdr.1990.0043
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Correction

p. 96
DOI: https://doi.org/10.1353/cdr.1990.0002
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