1. Machines for the Suppression of Time: Statues in Suor Angelica, The Winter's Tale, and Alcestis
  2. Robert C. Ketterer
  3. pp. 3-23
  4. DOI: 10.1353/cdr.1990.0008
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  1. Text as Agent in Sam Shepard's Curse of the Starving Class
  2. Charles R. Lyons
  3. pp. 24-33
  4. DOI: 10.1353/cdr.1990.0016
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  1. Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama
  2. Jody Enders
  3. pp. 34-54
  4. DOI: 10.1353/cdr.1990.0024
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  1. 'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue
  2. Robert C. Evans
  3. pp. 55-77
  4. DOI: 10.1353/cdr.1990.0032
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  1. Records of Early English Drama: Cambridge ed. by Alan H. Nelson (review)
  2. Peter Happé
  3. pp. 78-82
  4. DOI: 10.1353/cdr.1990.0039
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  1. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama by Thomas P. Adler (review)
  2. Tom Small
  3. pp. 84-86
  4. DOI: 10.1353/cdr.1990.0005
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  1. Ben Jonson and the Poetics of Patronage by Robert C. Evans (review)
  2. Frances Teague
  3. pp. 86-88
  4. DOI: 10.1353/cdr.1990.0013
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  1. Anticourt Drama in England, 1603-1642 by Albert H. Tricomi (review)
  2. Richard Finkelstein
  3. pp. 88-91
  4. DOI: 10.1353/cdr.1990.0021
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  1. New Tragedy and Comedy in France, 1945-70 by Peter Norrish (review)
  2. Venne-Richard Londré
  3. pp. 91-92
  4. DOI: 10.1353/cdr.1990.0029
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  1. Experiencing Shakespeare: Essays on Text, Classroom, and Performance by Charles H. Frey (review)
  2. Michael Shapiro
  3. pp. 92-93
  4. DOI: 10.1353/cdr.1990.0036
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  1. Correspondence
  2. Barbara Fass Leavy, Thomas F. Van Laan
  3. pp. 94-96
  4. DOI: 10.1353/cdr.1990.0043
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  1. Correction
  2. p. 96
  3. DOI: 10.1353/cdr.1990.0002
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