1. The "Full Meaning" of The Two Gentlemen of Verona
  2. Howard C. Cole
  3. pp. 201-227
  4. DOI: 10.1353/cdr.1989.0011
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  1. Wisdom Enthroned: Iconic Stage Portraits
  2. Milla Riggio
  3. pp. 228-254
  4. DOI: 10.1353/cdr.1989.0014
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  1. Metatheater, Gender, and Subjectivity in Richard II and Henry IV, Part I
  2. R. A. Martin
  3. pp. 255-264
  4. DOI: 10.1353/cdr.1989.0017
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  1. The Treatment of Space in Italian and English Renaissance Theater: The Example of Gl'Ingannati and Twelfth Night
  2. Jack D'Amico
  3. pp. 265-283
  4. DOI: 10.1353/cdr.1989.0002
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  1. Ancient Scripts and Modern Experience on the English Stage 1500-1700 by Bruce R. Smith (review)
  2. Arthur F. Kinney
  3. pp. 287-289
  4. DOI: 10.1353/cdr.1989.0007
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  1. Russian Drama of the Revolutionary Period by Robert Russell (review)
  2. E. J. Czerwinski
  3. pp. 289-290
  4. DOI: 10.1353/cdr.1989.0010
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  1. Russian and Soviet Theater 1905-1932 by Konstantin Rudnitsky (review)
  2. James Fisher
  3. pp. 291-292
  4. DOI: 10.1353/cdr.1989.0013
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  1. Native Americans as Shown on the Stage, 1753-1916 by Eugene H. Jones (review)
  2. John H. Stroupe
  3. pp. 292-293
  4. DOI: 10.1353/cdr.1989.0016
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  1. Ibsen's Forsaken Merman: Folklore in the Late Plays by Per Schelde Jacobsen and Barbara Fass Leavy (review)
  2. Thomas F. Van Laan
  3. pp. 293-296
  4. DOI: 10.1353/cdr.1989.0001
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