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Table of Contents

  1. 'Deep clerks she dumbs': The Learned Heroine in Apollonius of Tyre and Pericles
  2. Elizabeth Archibald
  3. pp. 289-303
  4. DOI: https://doi.org/10.1353/cdr.1988.0024
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  1. Musical Structure in the Second Shepherds' Play
  2. Regula Meyer Evitt
  3. pp. 304-322
  4. DOI: https://doi.org/10.1353/cdr.1988.0030
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  1. Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden
  2. John D. Cox
  3. pp. 323-358
  4. DOI: https://doi.org/10.1353/cdr.1988.0036
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  1. The 'New Historicism' and Early Modern Drama: A Review Article
  2. Clifford Davidson
  3. pp. 359-369
  4. DOI: https://doi.org/10.1353/cdr.1988.0005
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  1. Dangerous Matter: English Drama and Politics in 1623/24 by Jerzy Limon (review)
  2. Maurice Charney
  3. pp. 370-371
  4. DOI: https://doi.org/10.1353/cdr.1988.0011
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  1. Pirandello and the Crisis of Modern Consciousness by Anthony Caputi (review)
  2. Jerome Mazzaro
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/cdr.1988.0016
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  1. Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies by Robert N. Watson (review)
  2. Ejner J. Jensen
  3. pp. 373-375
  4. DOI: https://doi.org/10.1353/cdr.1988.0022
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  1. Shakespeare's Playhouses by Herbert Berry (review)
  2. Kenneth S. Rothwell
  3. pp. 378-381
  4. DOI: https://doi.org/10.1353/cdr.1988.0034
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  1. Patterns and Perspectives in English Renaissance Drama by Eugene M. Waith (review)
  2. Cecile Williamson Cary
  3. pp. 381-382
  4. DOI: https://doi.org/10.1353/cdr.1988.0003
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  1. Index to Volume 22 (1988-89)
  2. pp. 383-384
  3. DOI: https://doi.org/10.1353/cdr.1988.0009
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