1. Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage
  2. Brian Richardson
  3. pp. 193-214
  4. DOI: 10.1353/cdr.1988.0017
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  1. Lucan and the Self-Incised Voids of Julius Caesar
  2. Clifford J. Ronan
  3. pp. 215-226
  4. DOI: 10.1353/cdr.1988.0023
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  1. Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis
  2. Karen Bjelland
  3. pp. 227-243
  4. DOI: 10.1353/cdr.1988.0029
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  1. 'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Suppression in Three Plays by Tennessee Williams
  2. Thomas F. Van Laan
  3. pp. 244-265
  4. DOI: 10.1353/cdr.1988.0035
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  1. Harold Pinter: Critical Approaches ed. by Steven H. Gale (review)
  2. Hersh Zeifman
  3. pp. 266-267
  4. DOI: 10.1353/cdr.1988.0004
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  1. Renaissance Drama, n.s. 16, ed. by Leonard Barkan, and: Renaissance Drama, n.s. 17, ed. by Mary Beth Rose (review)
  2. Rolf Soellner
  3. pp. 269-274
  4. DOI: 10.1353/cdr.1988.0015
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  1. Shakespeare and the Uses of Comedy by J. A. Bryant, Jr. (review)
  2. William M. Jones
  3. pp. 276-277
  4. DOI: 10.1353/cdr.1988.0026
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  1. Americans in the Arts, 1890-1920 by James Gibbons Huneker (review)
  2. Philip J. Egan
  3. pp. 277-279
  4. DOI: 10.1353/cdr.1988.0032
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  1. Critical Essays on Henrik Ibsen ed. by Charles R. Lyons (review)
  2. Michael Hinden
  3. pp. 279-281
  4. DOI: 10.1353/cdr.1988.0001
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  1. Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre, 1576-1980 by Wendy Griswold (review)
  2. Arthur W. Bloom
  3. pp. 281-283
  4. DOI: 10.1353/cdr.1988.0007
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  1. Opera and the Uses of Language: Mozart, Verdi, and Britten by Sandra Corse (review)
  2. John P. Frayne
  3. pp. 286-288
  4. DOI: 10.1353/cdr.1988.0018
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  1. Shakespeare's Tragedies: An Introduction by Dieter Mehl (review)
  2. Michael Shapiro
  3. pp. 268-269
  4. DOI: 10.1353/cdr.1988.0010
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