1. Arthur Sullivan, Haddon Hall, and the Iconic Mode
  2. Michael Beckerman
  3. pp. 1-20
  4. DOI: 10.1353/cdr.1988.0021
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  1. The Narrator within the Performance: Problems with Two Medieval "Plays"
  2. Bruce Moore
  3. pp. 21-36
  4. DOI: 10.1353/cdr.1988.0027
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  1. Masking Becomes Electra: O'Neill, Freud, and the Feminine
  2. S. Georgia Nugent
  3. pp. 37-55
  4. DOI: 10.1353/cdr.1988.0033
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  1. "No innocence is safe, When power contests": The Factional Worlds of Caesar and Sejanus
  2. Stuart M. Kurland
  3. pp. 56-67
  4. DOI: 10.1353/cdr.1988.0002
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  1. Yonadab: Peter Shaffer's Earlier Dramas Revisited in the Court of King David
  2. Dennis A. Klein
  3. pp. 68-78
  4. DOI: 10.1353/cdr.1988.0008
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  1. Shakespeare and the Victorian Stage ed. by Richard Foulkes (review)
  2. Michael X. Zelenak
  3. pp. 79-82
  4. DOI: 10.1353/cdr.1988.0014
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  1. Editing Early English Drama: Special Problems and New Directions ed. by A. F. Johnston (review)
  2. Clifford Davidson
  3. pp. 82-84
  4. DOI: 10.1353/cdr.1988.0019
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  1. Four Middle English Mystery Cycles: Textual, Contextual, and Critical Interpretations by Martin Stevens (review)
  2. Peter Happé
  3. pp. 86-89
  4. DOI: 10.1353/cdr.1988.0031
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  1. The Patriarchy of Shakespeare's Comedies by Marilyn L. Williamson (review)
  2. Stephanie Demetrakopoulos
  3. pp. 89-91
  4. DOI: 10.1353/cdr.1988.0000
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  1. Shakespeare's Comedies: From Roman Farce to Romantic Mystery by Robert Ornstein (review)
  2. Sidney Homan
  3. pp. 91-93
  4. DOI: 10.1353/cdr.1988.0006
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  1. International Bibliography of Theatre: 1982, and: International Bibliography of Theatre: 1983 (review)
  2. Louis A. Rachow
  3. pp. 94-96
  4. DOI: 10.1353/cdr.1988.0012
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