1. "Non-Aristotelian" Theater: Brecht's and Plato's Theories of Artistic Imitation
  2. William E. Gruber
  3. pp. 199-213
  4. DOI: 10.1353/cdr.1987.0007
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  1. The Way to Dover: Arthurian Imagery in King Lear
  2. Cherrell Guilfoyle
  3. pp. 214-228
  4. DOI: 10.1353/cdr.1987.0009
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  1. Understanding Sam Shepard's Realism
  2. William W. Demastes
  3. pp. 229-248
  4. DOI: 10.1353/cdr.1987.0000
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  1. Two Medieval Cornish Versions of the Creation of the World
  2. Robert Longsworth
  3. pp. 249-258
  4. DOI: 10.1353/cdr.1987.0002
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  1. Naming and Entitlement in Wycherley, Etherege, and Dryden
  2. Derek Hughes
  3. pp. 259-289
  4. DOI: 10.1353/cdr.1987.0004
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  1. Beckett at 80/Beckett in Context ed. by Enoch Brater (review)
  2. Stephen Watt
  3. pp. 290-293
  4. DOI: 10.1353/cdr.1987.0005
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  1. Late Victorian Farce by Jeffrey H. Huberman (review)
  2. James Fisher
  3. pp. 293-295
  4. DOI: 10.1353/cdr.1987.0006
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  1. The Saint Play in Medieval Europe ed. by Clifford Davidson (review)
  2. Darryll Grantley
  3. pp. 295-297
  4. DOI: 10.1353/cdr.1987.0008
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  1. Aeschylus by John Herington (review)
  2. David Konstan
  3. pp. 297-300
  4. DOI: 10.1353/cdr.1987.0010
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  1. Chekhov and O'Neill: The Uses of the Short Story in Chekhov's and O'Neill's Plays by Peter Egri (review)
  2. Michael Manheim
  3. pp. 300-301
  4. DOI: 10.1353/cdr.1987.0001
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  1. Res/Verba: A Study in Medieval French Drama by Joseph A. Dane (review)
  2. Lynette R. Muir
  3. pp. 301-302
  4. DOI: 10.1353/cdr.1987.0003
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