1. Ben Jonson on Spectacle
  2. Richard Finkelstein
  3. pp. 103-114
  4. DOI: 10.1353/cdr.1987.0041
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  1. Artaud's Revision of Shelley's The Cenci: The Text and its Double
  2. Jane Goodall
  3. pp. 115-126
  4. DOI: 10.1353/cdr.1987.0047
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  1. Of "Stages" and "Types" in Visitatione Sepulchri (Part II)
  2. Michael L. Norton
  3. pp. 127-144
  4. DOI: 10.1353/cdr.1987.0015
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  1. Peter Shaffer's Continued Quest for God in Amadeus
  2. Daniel R. Jones
  3. pp. 145-155
  4. DOI: 10.1353/cdr.1987.0021
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  1. The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama
  2. Stratos E. Constantinidis
  3. pp. 156-181
  4. DOI: 10.1353/cdr.1987.0028
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  1. Pinter's Comic Play by Elin Diamond (review)
  2. Enoch Brater
  3. pp. 182-183
  4. DOI: 10.1353/cdr.1987.0035
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  1. Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content by Richard A. Levin (review)
  2. W. L. Godshalk
  3. pp. 183-187
  4. DOI: 10.1353/cdr.1987.0040
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  1. Dramatic Form in Shakespeare and the Jacobeans: Essays by Leo Salingar by Leo Salingar (review)
  2. Donald K. Anderson Jr.
  3. pp. 190-192
  4. DOI: 10.1353/cdr.1987.0013
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  1. Aristophanes: Poet and Dramatist by Rosemary M. Harriott (review)
  2. David Konstan
  3. pp. 192-194
  4. DOI: 10.1353/cdr.1987.0019
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  1. "Love and Admiration and Respect": The O'Neill-Commins Correspondence ed. by Dorothy Commins (review)
  2. Michael Hinden
  3. pp. 194-197
  4. DOI: 10.1353/cdr.1987.0025
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  1. Pieracci and Shelley: An Italian Ur-Cenci by George Yost (review)
  2. Barbara Groseclose
  3. pp. 197-198
  4. DOI: 10.1353/cdr.1987.0032
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