In this Issue

Table of Contents

Ben Jonson on Spectacle

Richard Finkelstein
pp. 103-114
DOI: https://doi.org/10.1353/cdr.1987.0041
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Artaud's Revision of Shelley's The Cenci: The Text and its Double

Jane Goodall
pp. 115-126
DOI: https://doi.org/10.1353/cdr.1987.0047
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Of "Stages" and "Types" in Visitatione Sepulchri (Part II)

Michael L. Norton
pp. 127-144
DOI: https://doi.org/10.1353/cdr.1987.0015
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Peter Shaffer's Continued Quest for God in Amadeus

Daniel R. Jones
pp. 145-155
DOI: https://doi.org/10.1353/cdr.1987.0021
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The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama

Stratos E. Constantinidis
pp. 156-181
DOI: https://doi.org/10.1353/cdr.1987.0028
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Pinter's Comic Play by Elin Diamond (review)

Enoch Brater
pp. 182-183
DOI: https://doi.org/10.1353/cdr.1987.0035
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Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content by Richard A. Levin (review)

W. L. Godshalk
pp. 183-187
DOI: https://doi.org/10.1353/cdr.1987.0040
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Left-Wing Dramatic Theory in The American Theatre by Ira A. Levine, and: Theatre for Working-Class Audiences in the United States, 1830-1980 ed. by Bruce A. McConachie, Daniel Friedman, and: Black Theatre in the 1960s and 1970s: A Historical-Critical Analysis of the Movement by Mance Williams (review)

Thomas A. Greenfield
pp. 187-190
DOI: https://doi.org/10.1353/cdr.1987.0045
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Dramatic Form in Shakespeare and the Jacobeans: Essays by Leo Salingar by Leo Salingar (review)

Donald K. Anderson Jr.
pp. 190-192
DOI: https://doi.org/10.1353/cdr.1987.0013
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Aristophanes: Poet and Dramatist by Rosemary M. Harriott (review)

David Konstan
pp. 192-194
DOI: https://doi.org/10.1353/cdr.1987.0019
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"Love and Admiration and Respect": The O'Neill-Commins Correspondence ed. by Dorothy Commins (review)

Michael Hinden
pp. 194-197
DOI: https://doi.org/10.1353/cdr.1987.0025
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Pieracci and Shelley: An Italian Ur-Cenci by George Yost (review)

Barbara Groseclose
pp. 197-198
DOI: https://doi.org/10.1353/cdr.1987.0032
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