1. Milton, Dryden, and the Ideology of Genre
  2. D. M. Rosenberg
  3. pp. 1-18
  4. DOI: 10.1353/cdr.1987.0046
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  1. The Vampire on Stage: A Study in Adaptations
  2. Ronald E. McFarland
  3. pp. 19-33
  4. DOI: 10.1353/cdr.1987.0014
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  1. Of "Stages" and "Types" in Visitatione Sepulchri (Part I)
  2. Michael L. Norton
  3. pp. 34-61
  4. DOI: 10.1353/cdr.1987.0020
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  1. Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse
  2. Derek Hughes
  3. pp. 62-83
  4. DOI: 10.1353/cdr.1987.0026
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  1. Dramatic Texts and Records of Britain: A Chronological Topography to 1558 by Ian Lancashire (review)
  2. David Bevington
  3. pp. 84-86
  4. DOI: 10.1353/cdr.1987.0033
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  1. The Italian Shakespearians by Marvin Carlson (review)
  2. William I. Oliver
  3. pp. 86-89
  4. DOI: 10.1353/cdr.1987.0038
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  1. Folklore and W. B. Yeats: The Function of Folklore Elements in Three Early Plays by Birgit Bramsbäck (review)
  2. Christopher Murray
  3. pp. 91-93
  4. DOI: 10.1353/cdr.1987.0011
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  1. Gentlemen of a Company: English Players in Central and Eastern Europe, 1590-1660 by Jerzy Limon (review)
  2. Michael Shapiro
  3. pp. 93-94
  4. DOI: 10.1353/cdr.1987.0017
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  1. Medieval English Drama: A Casebook ed. by Peter Happé (review)
  2. Peter Meredith
  3. pp. 95-98
  4. DOI: 10.1353/cdr.1987.0023
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  1. Making Pictures: The Pinter Screenplays by Joanne Klein (review)
  2. Ina Rae Hark
  3. pp. 98-100
  4. DOI: 10.1353/cdr.1987.0030
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