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Table of Contents

  1. Milton, Dryden, and the Ideology of Genre
  2. D. M. Rosenberg
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/cdr.1987.0046
  5. restricted access
  1. The Vampire on Stage: A Study in Adaptations
  2. Ronald E. McFarland
  3. pp. 19-33
  4. DOI: https://doi.org/10.1353/cdr.1987.0014
  5. restricted access
  1. Of "Stages" and "Types" in Visitatione Sepulchri (Part I)
  2. Michael L. Norton
  3. pp. 34-61
  4. DOI: https://doi.org/10.1353/cdr.1987.0020
  5. restricted access
  1. Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse
  2. Derek Hughes
  3. pp. 62-83
  4. DOI: https://doi.org/10.1353/cdr.1987.0026
  5. restricted access
  1. Dramatic Texts and Records of Britain: A Chronological Topography to 1558 by Ian Lancashire (review)
  2. David Bevington
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/cdr.1987.0033
  5. restricted access
  1. The Italian Shakespearians by Marvin Carlson (review)
  2. William I. Oliver
  3. pp. 86-89
  4. DOI: https://doi.org/10.1353/cdr.1987.0038
  5. restricted access
  1. Medieval English Drama: A Casebook ed. by Peter Happé (review)
  2. Peter Meredith
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/cdr.1987.0023
  5. restricted access
  1. Making Pictures: The Pinter Screenplays by Joanne Klein (review)
  2. Ina Rae Hark
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/cdr.1987.0030
  5. restricted access