1. Tom Stoppard's Artist Descending A Staircase: Outdoing the 'Dada' Duchamp
  2. Katherine E. Kelly
  3. pp. 191-200
  4. DOI: 10.1353/cdr.1986.0054
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  1. The Ordo Virtutum: Ancestor of the English Moralities?
  2. Robert Potter
  3. pp. 201-210
  4. DOI: 10.1353/cdr.1986.0017
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  1. O'Neill and Otto Rank: Doubles, "Death Instincts," and the Trauma of Birth
  2. Stephen Watt
  3. pp. 211-230
  4. DOI: 10.1353/cdr.1986.0023
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  1. Simón Aguado's Entremés de los negros: Text and Context
  2. Edward J. Mullen
  3. pp. 231-246
  4. DOI: 10.1353/cdr.1986.0030
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  1. The Role of "Senex" in Kyd's The Spanish Tragedy
  2. Joost Daalder
  3. pp. 247-260
  4. DOI: 10.1353/cdr.1986.0038
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  1. The Originality of John Caryll's Sir Salomon
  2. Richard C. Taylor
  3. pp. 261-269
  4. DOI: 10.1353/cdr.1986.0045
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  1. The Modern Stage and Other Worlds by Austin E. Quigley (review)
  2. Brian Johnston
  3. pp. 270-275
  4. DOI: 10.1353/cdr.1986.0052
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  1. Jonson and the Psychology of Public Theater by John Gordon Sweeney III (review)
  2. Robert C. Jones
  3. pp. 275-277
  4. DOI: 10.1353/cdr.1986.0015
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  1. Final Acts: The Creation of Three Late O'Neill Plays by Judith E. Barlow (review)
  2. Michael Manheim
  3. pp. 278-280
  4. DOI: 10.1353/cdr.1986.0021
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  1. Great Reckonings in Little Rooms: On the Phenomenology of Theatre by Bert O. State (review)
  2. Arthur W. Bloom
  3. pp. 280-281
  4. DOI: 10.1353/cdr.1986.0027
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  1. The Metamorphoses of Shakespearean Comedy by William C. Carroll (review)
  2. Frances Teague
  3. pp. 282-283
  4. DOI: 10.1353/cdr.1986.0034
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  1. The Complete Plays of John Bale ed. by Peter Happé (review)
  2. John Wasson
  3. pp. 283-285
  4. DOI: 10.1353/cdr.1986.0042
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  1. Interpreting Events: Tragicomedies of History on the Modern Stage by Paul Hernadi (review)
  2. Marilyn Gaddis Rose
  3. pp. 285-286
  4. DOI: 10.1353/cdr.1986.0049
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