1. Antony and Cleopatra and Rosmersholm: "Third Empire" Love Tragedies
  2. Errol Durbach
  3. pp. 1-16
  4. DOI: 10.1353/cdr.1986.0029
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  1. The Winter's Tale and Early Religious Drama
  2. Darryll Grantley
  3. pp. 17-37
  4. DOI: 10.1353/cdr.1986.0037
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  1. Symbols, Signs, and Language: The Brothers Yeats and Samuel Beckett's Art of the Theater
  2. Gordon Armstrong
  3. pp. 38-53
  4. DOI: 10.1353/cdr.1986.0044
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  1. Othello and New Comedy
  2. Frances Teague
  3. pp. 54-64
  4. DOI: 10.1353/cdr.1986.0051
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  1. Johann Drumbl and the Origin of the Quem Quaeritis: A Review Article
  2. Anselme Davril O.S.B., Fletcher Collins Jr.
  3. pp. 65-75
  4. DOI: 10.1353/cdr.1986.0014
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  1. Action Is Eloquence: Shakespeare's Language of Gesture by David Bevington (review)
  2. Marie Axton
  3. pp. 76-77
  4. DOI: 10.1353/cdr.1986.0020
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  1. Tom Stoppard by Thomas Whitaker (review)
  2. Elin Diamond
  3. pp. 79-81
  4. DOI: 10.1353/cdr.1986.0033
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  1. The Ordo Virtutum of Hildegard von Bingen ed. by Audrey Ekdahl Davidson (review)
  2. Fletcher Collins Jr.
  3. pp. 81-82
  4. DOI: 10.1353/cdr.1986.0041
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  1. Directions in Euripidean Criticism: A Collection of Essays ed. by Peter Burian (review)
  2. David Konstan
  3. pp. 82-85
  4. DOI: 10.1353/cdr.1986.0048
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  1. Holy Theatre: Ritual and the Avant Garde by Christopher Innes (review)
  2. Michael X. Zelenak
  3. pp. 88-90
  4. DOI: 10.1353/cdr.1986.0018
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  1. Shakespeare in Sable: A History of Black Shakespearean Actors by Errol Hill (review)
  2. David W. Beams
  3. pp. 90-93
  4. DOI: 10.1353/cdr.1986.0024
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  1. Ugo Betti: An Introduction by Emanuele Licastro (review)
  2. Jerome Mazzaro
  3. pp. 77-79
  4. DOI: 10.1353/cdr.1986.0026
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