In this Issue

Table of Contents

Cibber and Vanbrugh: Language, Place, and Social Order in Loves Last Shift

Derek Hughes
pp. 287-304
DOI: https://doi.org/10.1353/cdr.1986.0008
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Costume in the Moralities: The Evidence of East Anglian Art

Ann Eljenholm Nichols
pp. 305-314
DOI: https://doi.org/10.1353/cdr.1986.0011
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Jean Anouilh and Eugene O'Neill: Repetition as Negativity

Joseph J. Moleski, John H. Stroupe
pp. 315-326
DOI: https://doi.org/10.1353/cdr.1986.0013
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Devotional Themes in the Violence and Humor of the Play of the Sacrament

Richard L. Homan
pp. 327-340
DOI: https://doi.org/10.1353/cdr.1986.0001
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"Daddy Spoke to Me!": Gods Lost and Found in Long Day's Journey Into Night and Through a Glass Darkly

Thomas P. Adler
pp. 341-348
DOI: https://doi.org/10.1353/cdr.1986.0003
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As Secret as Maidenhead: The Profession of the Boy-Actress in Twelfth Night

Matthew H. Wikander
pp. 349-363
DOI: https://doi.org/10.1353/cdr.1986.0005
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American Theater of the 1960s by Zoltán Szilassy (review)

Philip J. Egan
pp. 364-366
DOI: https://doi.org/10.1353/cdr.1986.0007
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Renaissance Drama ed. by Leonard Barkan (review)

Michael E. Mooney
pp. 366-368
DOI: https://doi.org/10.1353/cdr.1986.0010
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Ze-Ami and His Theories of Noh Drama by Masaru Sekine (review)

Leonard C. Pronko
pp. 368-370
DOI: https://doi.org/10.1353/cdr.1986.0012
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Granville Barker and the Dream of Theatre by Dennis Kennedy (review)

James Coakley
pp. 371-374
DOI: https://doi.org/10.1353/cdr.1986.0000
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The Limits of Illusion: A Critical Study of Calderon by Anthony J. Cascardi (review)

Frank P. Casa
pp. 374-376
DOI: https://doi.org/10.1353/cdr.1986.0002
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Ben Jonson's Comedies on the Modern Stage by Ejner J. Jensen (review)

Frances Teague
pp. 376-377
DOI: https://doi.org/10.1353/cdr.1986.0004
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Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 by Peter Jelavich (review)

Michael X. Zelenak
pp. 378-380
DOI: https://doi.org/10.1353/cdr.1986.0006
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Index to Volume 20 (1986)

pp. 381-382
DOI: https://doi.org/10.1353/cdr.1986.0009
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