1. Realism on Stage: Reflections on Language in Theodor Fontane’s Theatre Reviews
  2. Clarissa Blomqvist
  3. pp. 337-345
  4. DOI: 10.1353/mon.2012.0063
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  1. Kafka and the Rabbis: Re-reading “The Judgment” in Light of Rabbinic Law
  2. Oliver Hiob
  3. pp. 346-358
  4. DOI: 10.1353/mon.2012.0068
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  1. Spiel mit dem klassischen Erbe: Volker Brauns Iphigenie in Freiheit
  2. Corina L. Petrescu
  3. pp. 359-374
  4. DOI: 10.1353/mon.2012.0073
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  1. Juli Zeh’s Corpus Delicti (2009): Health Care, Terrorists, and the Return of the Political Message
  2. Virginia McCalmont, Waltraud Maierhofer
  3. pp. 375-392
  4. DOI: 10.1353/mon.2012.0077
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  1. Beleuchtungstechniken. Zur Erschreibung von Bildern in der Lyrik Jan Wagners
  2. Wilfried Wittstruck
  3. pp. 393-417
  4. DOI: 10.1353/mon.2012.0081
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  1. Text-Bilder und ihre Kontexte. Medialität und Materialität von Einblatt-Holz- und -Metallschnitten des 15. Jahrhunderts (review)
  2. Jörn Münkner
  3. pp. 420-423
  4. DOI: 10.1353/mon.2012.0069
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  1. Novel Translations: The European Novel and the German Book, 1680–1730 (review)
  2. Jutta Eming
  3. pp. 423-425
  4. DOI: 10.1353/mon.2012.0060
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  1. Publishing Culture and the “Reading Nation”: German Book History in the Long Nineteenth Century (review)
  2. John A. McCarthy
  3. pp. 425-428
  4. DOI: 10.1353/mon.2012.0076
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  1. Von Kraftmenschen und Schwächlingen. Literarische Männlichkeitsentwürfe bei Lessing, Goethe, Schiller und Mozart (review)
  2. Kyle Frackman
  3. pp. 428-430
  4. DOI: 10.1353/mon.2012.0061
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  1. Blut und Feuer. Heldentum bei Lessing, Kleist, Fontane, Jünger und Heinrich Müller (review)
  2. Todd Cesaratto
  3. pp. 430-431
  4. DOI: 10.1353/mon.2012.0064
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  1. Autobiographien von Frauen. Ein Lexikon (review)
  2. Jennifer Redmann
  3. pp. 432-433
  4. DOI: 10.1353/mon.2012.0084
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  1. The Golem Returns: From German Romantic Literature to Global Jewish Culture, 1808–2008 (review)
  2. Todd Herzog
  3. pp. 437-439
  4. DOI: 10.1353/mon.2012.0083
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  1. Zensur im 19. Jahrhundert. Das literarische Leben aus Sicht seiner Überwacher (review)
  2. Jeffrey L. Sammons
  3. pp. 439-440
  4. DOI: 10.1353/mon.2012.0078
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  1. Einführung in das Werk Georg Büchners (review)
  2. Henri Poschmann
  3. pp. 440-442
  4. DOI: 10.1353/mon.2012.0085
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  1. Stefan George. Dichtung—Ethos—Staat. Denkbilder für ein geheimes europäisches Deutschland (review)
  2. Thomas Amos
  3. pp. 442-446
  4. DOI: 10.1353/mon.2012.0062
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  1. Franz Kafka: The Ghosts in the Machine (review)
  2. Andreas Härter
  3. pp. 446-450
  4. DOI: 10.1353/mon.2012.0066
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  1. Imperial Messages: Orientalism as Self-Critique in the Habsburg Fin de Siècle (review)
  2. Katherine Arens
  3. pp. 450-451
  4. DOI: 10.1353/mon.2012.0082
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  1. From Black to Schwarz: Cultural Crossovers Between African America and Germany (review)
  2. Alan Lareau
  3. pp. 451-453
  4. DOI: 10.1353/mon.2012.0071
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  1. The German Picaro and Modernity: Between Underdog and Shape-Shifter (review)
  2. Benjamin Robinson
  3. pp. 455-457
  4. DOI: 10.1353/mon.2012.0057
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  1. Alfred Andersch ‘revisited’: Werkbiographische Studien im Zeichen der Sebald-Debatte (review)
  2. Marcus Bullock
  3. pp. 459-462
  4. DOI: 10.1353/mon.2012.0079
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  1. Nostalgia after Nazism: History, Home, and Affect in German and Austrian Literature and Film (review)
  2. Christopher J. Wickham
  3. pp. 462-465
  4. DOI: 10.1353/mon.2012.0067
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  1. The Undiscover’d Country: W.G. Sebald and the Poetics of Travel (review)
  2. Verena Schowengerdt-Kuzmany
  3. pp. 465-467
  4. DOI: 10.1353/mon.2012.0065
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  1. Holocaust Lite. Bernhard Schlinks “NS-Romane” und ihre Verfilmungen (review)
  2. Thomas W. Kniesche
  3. pp. 467-469
  4. DOI: 10.1353/mon.2012.0075
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  1. Forthcoming in Monatshefte:
  2. p. 470
  3. DOI: 10.1353/mon.2012.0070
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