1. Our Mayan Prophecy
  2. Adam Bradley
  3. pp. 570-573
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  1. Canals and Rivers
  2. John Ernest
  3. pp. 573-575
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  1. On Tradition
  2. Soyica Diggs Colbert
  3. pp. 575-578
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  1. Trains, Planes, and What Was African American Literature?
  2. Russ Castronovo
  3. pp. 578-582
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  1. Leaving WAS Behind
  2. Sharon P. Holland
  3. pp. 582-584
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  1. Response
  2. Kenneth W. Warren
  3. pp. 584-591
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  1. Her Dark Materials: John Milton, Toni Morrison, and Concepts of “Dominion” in A Mercy
  2. Tessa Roynon
  3. pp. 593-606
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  1. The Concatenate Poetics of Slavery and the Articulate Material of Dave the Potter
  2. Michael A. Chaney
  3. pp. 607-618
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  1. The Lord Is a Man of War: John Jasper, Covenant, and Apocalypse
  2. Christopher Z. Hobson
  3. pp. 619-631
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  1. Visions of Tribulation: White Gaze and Black Spectacle in Richard Wright’s Native Son and The Outsider
  2. Becca Gercken
  3. pp. 633-648
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  1. New World A-Coming: African American Documentary Intertexts of the Federal Writers’ Project
  2. J. J. Butts
  3. pp. 649-666
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  1. Mirrors of Deception: Visualizing Blackness in the Poetry of Chicago Black Artist Johari Amini
  2. Carmen Phelps
  3. pp. 687-692
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  1. Sunset
  2. Yaa Gyasi
  3. pp. 693-698
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  1. What We Knew of Power
  2. M. Alexis Braxton
  3. p. 699
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  1. The World’s Shortest African American Story
  2. Wanda Coleman
  3. p. 700
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  1. Strange Death and Tragic Afterlife, and: Anti-Heroic Couplets, Written By Himself, and: Ballad of the Poet-Intellectual
  2. Anthony Carlton Cooke
  3. pp. 701-704
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  1. Selection from Tanka Diary
  2. Harryette Mullen
  3. p. 705
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  1. On Earth
  2. Sarah Stewart
  3. p. 709
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  1. Ode to an Ancestor, and: Illusion
  2. Samantha Thornhill
  3. p. 710
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  1. Crazy Mabel
  2. Audrey Williams
  3. pp. 711-716
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  1. What Was African American Literature? (review)
  2. Scott Selisker
  3. pp. 717-719
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  1. The Anthology of Rap (review)
  2. Erik Nielson
  3. pp. 719-721
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  1. Wrestling With the Left: The Making of Ralph Ellison’s Invisible Man (review)
  2. Brian Dolinar
  3. pp. 721-722
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  1. Three Days Before the Shooting. . . (review)
  2. Philip Henderson
  3. pp. 723-725
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  1. We Wear the Mask: Paul Laurence Dunbar and the Politics of Representative Reality (review)
  2. Thomas L. Morgan
  3. pp. 725-727
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  1. The Collage Aesthetic in the Harlem Renaissance (review)
  2. Hildegard Hoeller
  3. pp. 727-729
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  1. Shaping Memories: Reflections of African American Women Writers (review)
  2. John Lowe
  3. pp. 729-730
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  1. Shaping Words to Fit the Soul: The Southern Ritual Grounds of Afro-Modernism (review)
  2. Jennifer M. Wilks
  3. pp. 731-732
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  1. Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance (review)
  2. Carol E. Henderson
  3. pp. 732-734
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  1. Something Akin to Freedom: The Choice of Bondage in Narratives by African American Women (review)
  2. Venetria K. Patton
  3. pp. 734-736
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  1. Introduction
  2. Melissa Asher Daniels, Gregory Laski
  3. pp. 567-570
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  1. Contributors
  2. pp. 737-739
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