In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
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Penn State University Pressviewing issue
Volume 33, Number 2, 2012Table of Contents
- Editor's Foreword
- pp. v-vi
Articles
- The Return of John Moffat
- pp. 220-232
- Falling in Love with O'Neill
- pp. 275-281
Book Reviews
- Exorcism: A Play in One Act (review)
- pp. 282-284
Performance Reviews
- Editor's Foreword
- pp. 291-292
- Beyond the Horizon (review)
- pp. 298-301
- Strange Interlude (review)
- pp. 302-305
- The Iceman Cometh (review)
- pp. 306-308
- Long Day's Journey Into Night (review)
- pp. 309-312
Notes on Contributors
- Notes on Contributors
- pp. 313-316