In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 33, Number 2, 2012Table of Contents
pp. 174-219
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View Playing Life and Death in Provincetown: Two New Versions of Louise Bryant's The Game, 1915 and 1916
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Playing Life and Death in Provincetown: Two New Versions of Louise Bryant's The Game, 1915 and 1916
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pp. 233-272
pp. 285-287
pp. 288-290
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View Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) (review)
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Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) (review)
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| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2012-09-05 |
| Open Access | No |
