In this Issue

Table of Contents

Your Hero Is a Ghost, 2010

Lovett/Codagnone, Tom Zook
pp. 2-3
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Philosophical Tantrum #7: 2008-present, in permanent progress

Guillermo Gómez-Peña
pp. 7-9
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Uganda Is Too Sexy: Reflections on Kony 2012

Laura Edmondson
pp. 10-17
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The Pixelated Revolution

Rabih Mroué, Ziad Nawfal, Carol Martin
pp. 18-35
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The Pixelated Revolution

Rabih Mroué
pp. 25-35
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Building the Builders Association: A Conversation with Marianne Weems, James Gibbs, and Moe Angelos

Richard Schechner
pp. 36-57
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Performing Pain-Taking and Ghostly Remembering in Vietnam

Rivka Syd Eisner
pp. 58-81
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Regeneration: Tissue Engineering, Maintenance, and the Time of Performance

Kelly Rafferty
pp. 82-99
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Trust Me: Richard Foreman's Invitation to "Deep Trance Behavior"

Neal Swettenham
pp. 100-113
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Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"

Kathleen M. Gough
pp. 114-130
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Grotowski in a Maze of Haitian Narration

Leszek Kolankiewicz, Olga Kaczmarek
pp. 131-140
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Playing, Fighting, and Dancing: Unpacking the Significance of Ginga within the Practice of Capoeira Angola

Cristina Rosa
pp. 141-166
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The Cultural Intifada: Palestinian Theatre in the West Bank

Erin B. Mee
pp. 167-177
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A Sucker Punch of Horror: The Oyoun Theatre's Gaza Mono-Logues

Kimberly Jannarone
pp. 178-182
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Performing South Africa's Truth Commission: Stages of Transition (review)

Lara D. Nielsen
pp. 183-184
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Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle (review)

Tanya Augsburg
pp. 185-187
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The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, and: The Columbia Anthology of Modern Chinese Drama (review)

Faye Chunfang Fei
pp. 187-190
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The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping (review)

Dan Venning
pp. 190-191
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How To Do Things with Dance: Performing Change in Postwar America (review)

Kate Elswit
pp. 192-193
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More Books

Sebastián Calderón Bentin
pp. 194-195
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