1. The Jamesian Oedipus and the Freudian Moses: Image, Word, The Later Style, and The Ambassadors
  2. David L. Smith
  3. pp. 1-26
  4. DOI: 10.1353/sdn.2012.0019
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  1. Dorothy Canfield, Willa Cather, and the Uncertainties of Middlebrow and Highbrow
  2. Janis P. Stout
  3. pp. 27-48
  4. DOI: 10.1353/sdn.2012.0003
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  1. From Blood-on-Snow to Boys-on-Sand: Perceval’s Mirror in Michel Tournier’s The Ogre
  2. Nicholas Ealy
  3. pp. 62-79
  4. DOI: 10.1353/sdn.2012.0027
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  1. “One Cannot Look at This” / “I Saw It”: Pat Barker’s Double Vision and the Ethics of Visuality
  2. Krista Kauffmann
  3. pp. 80-99
  4. DOI: 10.1353/sdn.2012.0007
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  1. Modernism, History, and the Novel
  2. Juan Herrero-Senés
  3. pp. 100-106
  4. DOI: 10.1353/sdn.2012.0011
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  1. Impure Worlds: The Institution of Literature in the Age of the Novel (review)
  2. Gerard Cohen-Vrignaud
  3. pp. 108-109
  4. DOI: 10.1353/sdn.2012.0015
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  1. Culture, Capital, and Representation (review)
  2. Joseph Conway
  3. pp. 110-111
  4. DOI: 10.1353/sdn.2012.0021
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  1. The Empire Inside: Indian Commodities in Victorian Domestic Novels (review)
  2. Ann-Marie Dunbar
  3. pp. 112-114
  4. DOI: 10.1353/sdn.2012.0025
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  1. Gilbert and Gubar’s The Madwoman in the Attic After Thirty Years (review)
  2. Lisa Sternlieb
  3. pp. 114-116
  4. DOI: 10.1353/sdn.2012.0000
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  1. A Body of Individuals: The Paradox of Community in Contemporary Fiction (review)
  2. Anne Lovering Rounds
  3. pp. 116-118
  4. DOI: 10.1353/sdn.2012.0005
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  1. Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori (review)
  2. Rochelle Raineri Zuck
  3. pp. 118-120
  4. DOI: 10.1353/sdn.2012.0009
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  1. Leather-Stocking Redux; Or, Old Tales, New Essays (review)
  2. Jason Berger
  3. pp. 122-124
  4. DOI: 10.1353/sdn.2012.0018
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