In this Issue

Table of Contents

“It’s Queer, It’s like Fate”: Tracking Queer in O’Neill’s Mourning Becomes Electra

Mark Masterson
pp. 131-147
DOI: https://doi.org/10.1353/hel.2011.0006
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Male Medea

Nancy Sorkin Rabinowitz
pp. 149-164
DOI: https://doi.org/10.1353/hel.2011.0008
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Saxon Violence and Social Decay in Sarah Kane’s Phaedra’s Love and Tony Harrison’s Prometheus

Hallie Rebecca Marshall
pp. 165-179
DOI: https://doi.org/10.1353/hel.2011.0009
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X-Rated Sophocles: Alice Tuan’s Ajax (por nobody)

Thomas E. Jenkins
pp. 181-191
DOI: https://doi.org/10.1353/hel.2011.0010
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Syncretic Sites in Luis Alfaro’s Electricidad

Melinda Powers
pp. 193-206
DOI: https://doi.org/10.1353/hel.2011.0011
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Plautus in Twenty-First-Century Australia: Does the Roman Playwright Still Influence People’s Identity?

Gesine Manuwald
pp. 207-220
DOI: https://doi.org/10.1353/hel.2011.0012
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Creating the Outsider’s Political Identity: Nathan Lane’s Dionysus

John Given
pp. 221-236
DOI: https://doi.org/10.1353/hel.2011.0014
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Introduction

Gesine Manuwald
pp. 123-130
DOI: https://doi.org/10.1353/hel.2011.0013
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Notes on Contributors

pp. 237-238
DOI: https://doi.org/10.1353/hel.2011.0007
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