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Table of Contents

  1. “It’s Queer, It’s like Fate”: Tracking Queer in O’Neill’s Mourning Becomes Electra
  2. Mark Masterson
  3. pp. 131-147
  4. DOI: https://doi.org/10.1353/hel.2011.0006
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  1. Male Medea
  2. Nancy Sorkin Rabinowitz
  3. pp. 149-164
  4. DOI: https://doi.org/10.1353/hel.2011.0008
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  1. Saxon Violence and Social Decay in Sarah Kane’s Phaedra’s Love and Tony Harrison’s Prometheus
  2. Hallie Rebecca Marshall
  3. pp. 165-179
  4. DOI: https://doi.org/10.1353/hel.2011.0009
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  1. X-Rated Sophocles: Alice Tuan’s Ajax (por nobody)
  2. Thomas E. Jenkins
  3. pp. 181-191
  4. DOI: https://doi.org/10.1353/hel.2011.0010
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  1. Syncretic Sites in Luis Alfaro’s Electricidad
  2. Melinda Powers
  3. pp. 193-206
  4. DOI: https://doi.org/10.1353/hel.2011.0011
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  1. Plautus in Twenty-First-Century Australia: Does the Roman Playwright Still Influence People’s Identity?
  2. Gesine Manuwald
  3. pp. 207-220
  4. DOI: https://doi.org/10.1353/hel.2011.0012
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  1. Creating the Outsider’s Political Identity: Nathan Lane’s Dionysus
  2. John Given
  3. pp. 221-236
  4. DOI: https://doi.org/10.1353/hel.2011.0014
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  1. Introduction
  2. Gesine Manuwald
  3. pp. 123-130
  4. DOI: https://doi.org/10.1353/hel.2011.0013
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  1. Notes on Contributors
  3. pp. 237-238
  4. DOI: https://doi.org/10.1353/hel.2011.0007
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