In this Issue

Table of Contents

The Lost Studio of Atlantis: Norman Bel Geddes’s Failed Revolution in Television Form

Joshua Gleich
pp. 3-17
DOI: https://doi.org/10.1353/vlt.2012.0015
restricted access

Materiality and Meaning in Recent Projection Performance

Jonathan Walley
pp. 18-34
DOI: https://doi.org/10.1353/vlt.2012.0017
restricted access

The Warner Archive and DVD Collecting in the New Home Video Market

Bradley Schauer
pp. 35-48
DOI: https://doi.org/10.1353/vlt.2012.0019
restricted access

Executable Images: The Enactment and Distribution of Movies in Computer Networks

Gabriel Menotti Gonring
pp. 49-58
DOI: https://doi.org/10.1353/vlt.2012.0020
restricted access

Dossier: Materiality and the Archive

Kit Hughes, Heather Heckman
p. 59
DOI: https://doi.org/10.1353/vlt.2012.0021
restricted access

The Tantalizing Challenges of the Home Movie Archive

Dwight Swanson
pp. 59-60
DOI: https://doi.org/10.1353/vlt.2012.0025
restricted access

Patterns of Decay: For a Study on Discoloration of Tinted and Toned Nitrate

Daniela Currò
pp. 59-61
DOI: https://doi.org/10.1353/vlt.2012.0022
restricted access

Seeing/Not Seeing

Paolo Cherchi Usai
p. 60
DOI: https://doi.org/10.1353/vlt.2012.0027
restricted access

A Handful of Silver They Leave Us

Erik Piil
pp. 60-61
DOI: https://doi.org/10.1353/vlt.2012.0028
restricted access

Alterity in the Archive

Greg Wilsbacher
p. 61
DOI: https://doi.org/10.1353/vlt.2012.0029
restricted access

Toward a Science of Film and Moving Image Restoration

Ulrich Ruedel
p. 63
DOI: https://doi.org/10.1353/vlt.2012.0023
restricted access

The Academy’s New Clothes

Leo Enticknap
pp. 63-64
DOI: https://doi.org/10.1353/vlt.2012.0024
restricted access

Scholarly Archivists/Archival Scholars: Rethinking the Traditional Models

Oliver Hanley, Adelheid Heftberger
pp. 64-65
DOI: https://doi.org/10.1353/vlt.2012.0026
restricted access

Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture (review)

Chelsea McCracken
pp. 66-67
DOI: https://doi.org/10.1353/vlt.2012.0012
restricted access

Modular Narratives in Contemporary Cinema (review)

Matt Connolly
pp. 68-70
DOI: https://doi.org/10.1353/vlt.2012.0014
restricted access

Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War (review)

Booth Wilson
pp. 71-73
DOI: https://doi.org/10.1353/vlt.2012.0016
restricted access

Piracy: The Intellectual Property Wars from Gutenberg to Gates (review)

Andrew J. Bottomley
pp. 74-76
DOI: https://doi.org/10.1353/vlt.2012.0018
restricted access

Introduction

pp. 1-2
DOI: https://doi.org/10.1353/vlt.2012.0013
restricted access