1. Parricidal Son: The Murder of Cassia Rivulet and the Collapse of Postcolonial Time
  2. Glenn A. Elmer Griffin
  3. pp. 1-21
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  1. Between Plot and Plantation, Trespass and Transgression: Caribbean Migratory Disobedience in Fiction and Internet Traffic
  2. Curdella Forbes
  3. pp. 23-42
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  1. The West Indian Writer and His Quarrel with History
  2. Edward Baugh
  3. pp. 60-74
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  1. All Friends Now?: Critical Conversations, West Indian Literature, and the “Quarrel with History”
  2. Alison Donnell
  3. pp. 75-85
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  1. Too Much History, or Not Enough
  2. Laurence A. Breiner
  3. pp. 86-98
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  1. Contexts, Criticism, and Quarrels: A Reflection on Edward Baugh’s “The West Indian Writer and His Quarrel with History”
  2. Nadi Edwards
  3. pp. 99-107
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  1. Reflections on “The Quarrel with History”
  2. Edward Baugh
  3. pp. 108-118
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  1. the Of 72 Project
  2. Ebony G. Patterson
  3. pp. 119-138
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  1. The Interior Life of Painting: Lebenswelt and Subjectivity in the Work of Roberta Stoddart
  2. Gabrielle A. Hezekiah
  3. pp. 139-152
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  1. Infidelities
  2. Sonia Farmer
  3. pp. 153-163
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  1. Moulting Season
  2. Danielle McShine
  3. pp. 164-169
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  1. Ghost Story
  2. Barbara Jenkins
  3. pp. 170-177
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  1. The Iridescent Blue-Black Boy with Wings (After Márquez)
  2. H. N. Holder
  3. pp. 178-185
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  1. The Difficulties of Naming White Things
  2. Eddie Chambers
  3. pp. 186-197
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  1. Feasting on Scraps
  2. Huey Copeland
  3. pp. 198-212
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  1. Art History and the Dialogics of Diaspora
  2. Kobena Mercer
  3. pp. 213-227
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  1. Stuart Hall at Eighty
  2. David Scott
  3. pp. vii-x
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  1. Contributors
  2. pp. 228-230
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