In this Issue

Table of Contents

Parricidal Son: The Murder of Cassia Rivulet and the Collapse of Postcolonial Time

Glenn A. Elmer Griffin
pp. 1-21
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Between Plot and Plantation, Trespass and Transgression: Caribbean Migratory Disobedience in Fiction and Internet Traffic

Curdella Forbes
pp. 23-42
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Violent Liaisons: Historical Crossings and the Negotiation of Sex, Sexuality, and Race in The Book of Night Women and The True History of Paradise

Sam Vásquez
pp. 43-59
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The West Indian Writer and His Quarrel with History

Edward Baugh
pp. 60-74
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All Friends Now?: Critical Conversations, West Indian Literature, and the “Quarrel with History”

Alison Donnell
pp. 75-85
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Too Much History, or Not Enough

Laurence A. Breiner
pp. 86-98
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Contexts, Criticism, and Quarrels: A Reflection on Edward Baugh’s “The West Indian Writer and His Quarrel with History”

Nadi Edwards
pp. 99-107
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Reflections on “The Quarrel with History”

Edward Baugh
pp. 108-118
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the Of 72 Project

Ebony G. Patterson
pp. 119-138
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The Interior Life of Painting: Lebenswelt and Subjectivity in the Work of Roberta Stoddart

Gabrielle A. Hezekiah
pp. 139-152
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Infidelities

Sonia Farmer
pp. 153-163
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Moulting Season

Danielle McShine
pp. 164-169
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Ghost Story

Barbara Jenkins
pp. 170-177
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The Iridescent Blue-Black Boy with Wings (After Márquez)

H. N. Holder
pp. 178-185
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The Difficulties of Naming White Things

Eddie Chambers
pp. 186-197
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Feasting on Scraps

Huey Copeland
pp. 198-212
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Art History and the Dialogics of Diaspora

Kobena Mercer
pp. 213-227
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Stuart Hall at Eighty

David Scott
pp. vii-x
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Contributors

pp. 228-230
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