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In this Issue

Table of Contents

  1. Introduction: Television and the Depiction of the American West
  2. Michael K. Johnson
  3. pp. 123-131
  4. DOI: https://doi.org/10.1353/wal.2012.0053
  5. restricted access

Essays

  1. The Dangers of Driving the Dalton: The Paradoxical Industrial and Environmental Aesthetics of Ice Road Truckers
  2. Jennifer Schell
  3. pp. 132-151
  4. DOI: https://doi.org/10.1353/wal.2012.0056
  5. restricted access
  1. She Hits Like a Man, but She Kisses Like a Girl: TV Heroines, Femininity, Violence, and Intimacy
  2. Kerry Fine
  3. pp. 152-173
  4. DOI: https://doi.org/10.1353/wal.2012.0058
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  1. Rejuvenating "Eternal Inequality" on the Digital Frontiers of Red Dead Redemption
  2. Sara Humphreys
  3. pp. 200-215
  4. DOI: https://doi.org/10.1353/wal.2012.0048
  5. restricted access

Book Reviews

  1. Television Westerns: Six Decades of Sagebrush Sheriffs, Scalawags, and Sidewinders (review)
  2. Cynthia J. Miller
  3. pp. 216-218
  4. DOI: https://doi.org/10.1353/wal.2012.0050
  5. restricted access
  1. Investigating "Firefly" and "Serenity": Science Fiction on the Frontier (review)
  2. Corey Dethier
  3. pp. 218-219
  4. DOI: https://doi.org/10.1353/wal.2012.0052
  5. restricted access
  1. Genre and Performance: Film and Television (review)
  2. Sue Matheson
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/wal.2012.0055
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  1. Louis L'Amour on Film and Television (review)
  2. D. B. Gough
  3. pp. 222-223
  4. DOI: https://doi.org/10.1353/wal.2012.0045
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  1. Peckinpah's Tragic Westerns: A Critical Study (review)
  2. Leonard Engel
  3. pp. 224-225
  4. DOI: https://doi.org/10.1353/wal.2012.0047
  5. restricted access
  1. What You See in the Dark (review)
  2. John Hursh
  3. pp. 228-229
  4. DOI: https://doi.org/10.1353/wal.2012.0051
  5. restricted access

Contributors

  1. Contributors
  2. pp. 230-231
  3. DOI: https://doi.org/10.1353/wal.2012.0054
  4. restricted access