1. John Phillips’s Translation of Don Quixote and “the Humour of our Modern Language”
  2. Anna K. Nardo
  3. pp. 1-22
  4. DOI: 10.1353/rst.2012.0005
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  1. The Performance of “Pious Fraud”: Reading Passive Obedience in Dryden’s Don Sebastian (1689)
  2. Jeffrey Galbraith
  3. pp. 23-40
  4. DOI: 10.1353/rst.2012.0006
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  1. “The King His Play”: Charles II, Christina of Sweden, and Dryden’s Secret Love, or The Maiden Queen
  2. Candy Schille
  3. pp. 41-59
  4. DOI: 10.1353/rst.2012.0000
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  1. The Cambridge Companion to Andrew Marvell (review)
  2. Matthew Harkins
  3. pp. 61-63
  4. DOI: 10.1353/rst.2012.0001
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  1. Heroic Mode and Political Crisis, 1660–1745 (review)
  2. Alex Garganigo
  3. pp. 63-66
  4. DOI: 10.1353/rst.2012.0002
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  1. Teaching British Women Playwrights of the Restoration and Eighteenth Century (review)
  2. Tonya Howe
  3. pp. 66-70
  4. DOI: 10.1353/rst.2012.0003
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  1. Some Current Publications
  2. Shelby Johnson
  3. pp. 71-94
  4. DOI: 10.1353/rst.2012.0004
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