In this Issue

Table of Contents

New Texts for Old Music: Three Early Thirteenth-Century Latin Motets

Catherine A. Bradley
pp. 149-169
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Memorializing Mary Tudor: William Byrd and Edward Paston’s ‘Crowned with Flowers and Lilies’

Philip Taylor
pp. 170-190
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Trial by Ear: Legal Attitudes to Keyboard Arrangement in Nineteenth-Century Britain

William Lockhart
pp. 191-221
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Music and Sentiment (review)

Michael Spitzer
pp. 222-223
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Giovanni Pierluigi da Palestrina (review)

Noel O’Regan
pp. 223-225
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Music and Society in Early Modern England (review)

Bruce R. Smith
pp. 225-227
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Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII–XVIII (Brescia, 16–18 luglio 2007) (review)

Valeria De Lucca
pp. 228-230
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The Mirror of Human Life: Reflections on François Couperin’s Pièces de Clavecin (review)

David Tunley
pp. 230-231
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Telemann, der musikalische Maler: Telemann-Kompositionen im Notenarchiv der Singakademie zu Berlin (review)

Jeanne Swack
pp. 231-234
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Unaccompanied Bach: Performing the Solo Works (review)

John Butt
pp. 234-236
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J. S. Bach and the Oratorio Tradition (review)

John Butt
pp. 236-238
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Der kadenzielle Prozess in den Durchführungen: Untersuchung der Kopfsätze von Joseph Haydns Streichquartetten (review)

W. Dean Sutcliffe
pp. 238-241
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Bernarr Rainbow on Music: Memoirs and Selected Writings (review)

Nicholas Temperley
pp. 241-243
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Dissenting Praise: Religious Dissent and the Hymn in England and Wales (review)

Charles Edward McGuire
pp. 243-245
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Difficult Rhythm: Music and the Word in E. M. Forster (review)

Christin Hoene
pp. 245-247
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Richard Wagner: Tristan und Isolde (review)

Mark Berry
pp. 247-250
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Wagner and the Erotic Impulse (review)

Nicholas Vazsonyi
pp. 250-251
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Musicologica Olomucensia 12: Zdeněk Fibich as a Central European Composer at the End of the Nineteenth Century (review)

John Tyrrell
pp. 252-253
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Alois Hába: A Catalogue of the Music and Writings (review)

John Tyrrell
pp. 254-255
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Seeing Mahler: Music and the Language of Antisemitism in Fin-de Siècle Vienna (review)

Jeremy Barham
pp. 255-257
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Im Schatten Schönbergs: Rezeptionshistorische und analytische Studien zum Problem der Originalität und Modernität bei Alexander Zemlinsky (review)

Nick Chadwick
pp. 257-261
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Alban Berg and his World (review)

Nicholas Baragwanath
pp. 261-264
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Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance (review)

Nicholas Baragwanath
pp. 264-267
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Shostakovich’s Preludes and Fugues: Contexts, Style, Performance (review)

Sarah Reichardt Ellis
pp. 267-269
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Struggling to Define a Nation: American Music and the Twentieth Century (review)

Deniz Ertan
pp. 269-272
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When Opera Meets Film (review)

Jeremy Tambling
pp. 272-274
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Pop Music, Pop Culture (review)

Allan F. Moore
pp. 274-276
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Listen: A History of our Ears (review)

Anthony Gritten
pp. 276-280
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Traveling Home: Sacred Harp Singing and American Pluralism, and: The Makers of the Sacred Harp (review)

Eric Saylor
pp. 280-282
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Recipients of ‘Music & Letters’ Awards

p. 283
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‘Music & Letters’ Awards

p. 285
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Authors of Articles in This Issue

p. 285
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Books Received

pp. 286-287
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