1. The Greeks and the Romans: Language and the Pragmatics of Performance in the Libro de buen amor
  2. Vincent Barletta
  3. pp. 349-370
  4. DOI: 10.1353/hir.2012.0033
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  1. Masculinity, War, and Pursuit of Glory in Sepúlveda’s Gonzalo
  2. Luna Nájera
  3. pp. 391-412
  4. DOI: 10.1353/hir.2012.0037
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  1. Bolívar: un héroe hispano
  2. Y. L. Mariela Wong
  3. pp. 413-426
  4. DOI: 10.1353/hir.2012.0029
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  1. Mercedes Cabello de Carbonera’s otra moral: Positivism and the Parentless Figure in El conspirador
  2. Armanda Lewis
  3. pp. 427-444
  4. DOI: 10.1353/hir.2012.0030
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  1. Unamuno, el monólogo interior y el flujo de conciencia: de William James y Amor y pedagogía a Knut Hamsun y Niebla
  2. J. A. G. Ardila
  3. pp. 445-466
  4. DOI: 10.1353/hir.2012.0031
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  1. Pleasure Against Ideology in Gabriel Ferrater
  2. Edgar Illas
  3. pp. 467-484
  4. DOI: 10.1353/hir.2012.0032
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  1. Allegories of Authenticity in the Argentine Cinema of the 1910s
  2. Matt Losada
  3. pp. 485-506
  4. DOI: 10.1353/hir.2012.0034
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  1. Poesía y política cultural: las antologías de poesía en la España democrática
  2. Raquel Medina
  3. pp. 507-528
  4. DOI: 10.1353/hir.2012.0036
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  1. Books Received
  2. pp. 529-533
  3. DOI: 10.1353/hir.2012.0028
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