1. Legs Ode, and: April Smoke, and: Ode to the Clitoris, and: Repentant Thief
  2. Sharon Olds
  3. pp. 7-11
  4. DOI: 10.1353/psg.2012.0045
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  1. Last of the Cowboy Poets
  2. Gerald Shapiro
  3. pp. 12-28
  4. DOI: 10.1353/psg.2012.0051
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  1. Language Barrier
  2. Chad Prevost
  3. p. 29
  4. DOI: 10.1353/psg.2012.0057
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  1. The Wittenberg Backdoor Bar, and: Margaret's Rose
  2. Jean Janzen
  3. pp. 30-31
  4. DOI: 10.1353/psg.2012.0063
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  1. Firstborn
  2. Melissa Yancy
  3. pp. 32-48
  4. DOI: 10.1353/psg.2012.0068
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  1. Ambition, and: Homage to Sebastian Stenzel
  2. Bruce Bond
  3. pp. 60-61
  4. DOI: 10.1353/psg.2012.0043
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  1. Bath
  2. Robert J. Stevens
  3. pp. 62-74
  4. DOI: 10.1353/psg.2012.0049
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  1. My Best Friend and Me
  2. Brandi George
  3. pp. 75-76
  4. DOI: 10.1353/psg.2012.0055
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  1. Light Snow, and: At the End
  2. Donald Platt
  3. pp. 76-81
  4. DOI: 10.1353/psg.2012.0061
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  1. Maunder Minimum: The Sun King
  2. Avery Slater
  3. pp. 81-84
  4. DOI: 10.1353/psg.2012.0066
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  1. God, God, and: Letter from Battle Creek, and: On a Day That Bombs
  2. Fleda Brown
  3. pp. 84-86
  4. DOI: 10.1353/psg.2012.0071
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  1. Free Country
  2. Nancy Welch
  3. pp. 87-103
  4. DOI: 10.1353/psg.2012.0041
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  1. The Tongues of Angels, and: For My Granddaughter, and: For Remembrance
  2. Robert McNamara
  3. pp. 104-108
  4. DOI: 10.1353/psg.2012.0047
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  1. Two Songs, and: Cathay
  2. Robert Gibb
  3. pp. 108-111
  4. DOI: 10.1353/psg.2012.0053
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  1. Castaway, and: My Grandfather's Final Day in the Old Country, 1892
  2. Floyd Skloot
  3. pp. 111-113
  4. DOI: 10.1353/psg.2012.0059
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  1. Folie a Deux, and: Before the Swimmers Reached the Egg
  2. Keith Alexander
  3. pp. 113-115
  4. DOI: 10.1353/psg.2012.0064
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  1. Our Lady of the Midnight Kitchen, and: South of the Border
  2. Gloria Boyer
  3. pp. 116-117
  4. DOI: 10.1353/psg.2012.0069
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  1. Mycelia, and: Silver Pine Inn
  2. Charles Harper Webb
  3. pp. 117-119
  4. DOI: 10.1353/psg.2012.0074
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  1. That High, Lonesome Sound
  2. Garth Risk Hallberg
  3. pp. 120-134
  4. DOI: 10.1353/psg.2012.0044
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  1. Taken Inside, and: This One
  2. Maxine Kumin
  3. pp. 135-136
  4. DOI: 10.1353/psg.2012.0050
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  1. Flings
  2. Justin Taylor
  3. pp. 137-147
  4. DOI: 10.1353/psg.2012.0056
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  1. We Never Know
  2. Paul Dickey
  3. p. 148
  4. DOI: 10.1353/psg.2012.0062
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  1. Thirteen, and: B. Tyler Henry
  2. Alexandra Teague
  3. pp. 149-150
  4. DOI: 10.1353/psg.2012.0067
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  1. Fatherhood, Beginnings
  2. Jason Tandon
  3. pp. 150-151
  4. DOI: 10.1353/psg.2012.0072
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  1. Love Poem (in a False Tense)
  2. Katie Umans
  3. p. 151
  4. DOI: 10.1353/psg.2012.0042
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  1. The Nothing That Is
  2. Scott Nadelson
  3. pp. 152-163
  4. DOI: 10.1353/psg.2012.0048
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  1. Against the Workshop: Provocations, Polemics, Controversies (review)
  2. Matthew Shenoda
  3. pp. 164-166
  4. DOI: 10.1353/psg.2012.0054
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  1. The Penguin Anthology of Twentieth-Century American Poetry (review)
  2. Marianne Kunkel
  3. pp. 166-169
  4. DOI: 10.1353/psg.2012.0060
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  1. The Sin-Eater: A Breviary (review)
  2. Elinor Benedict
  3. pp. 169-171
  4. DOI: 10.1353/psg.2012.0065
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  1. The Use and Abuse of Literature (review)
  2. Willis Goth Regier
  3. pp. 171-173
  4. DOI: 10.1353/psg.2012.0070
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  1. Vinculum (review)
  2. Brooke Horvath
  3. pp. 173-176
  4. DOI: 10.1353/psg.2012.0040
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  1. Stateside (review)
  2. Catherine Grandorff
  3. pp. 176-178
  4. DOI: 10.1353/psg.2012.0046
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  1. See Me Improving (review)
  2. Steve Langan
  3. pp. 178-179
  4. DOI: 10.1353/psg.2012.0052
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  1. The Double Truth (review)
  2. Alyse Bensel
  3. pp. 180-182
  4. DOI: 10.1353/psg.2012.0058
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  1. Contributors
  2. pp. 183-187
  3. DOI: 10.1353/psg.2012.0075
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