1. Cædmon's Audience
  2. Dennis Cronan
  3. pp. 333-363
  4. DOI: 10.1353/sip.2012.0028
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  1. A Tripartite Model for Determining Narratorial Subjectivity in Medieval Romance: The Composite Subject in Partonope of Blois
  2. Karen A. Grossweiner
  3. pp. 381-408
  4. DOI: 10.1353/sip.2012.0031
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  1. Literary Prayer and Personal Possession in a Newly Discovered Tudor Book of Hours
  2. Seth Lerer
  3. pp. 409-428
  4. DOI: 10.1353/sip.2012.0032
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  1. Satiric Mimicking in Henry Chettle's Kind-Hartes Dreame
  2. Arul Kumaran
  3. pp. 429-454
  4. DOI: 10.1353/sip.2012.0033
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  1. Montaigne's "Cannibals" and The Tempest Revisited
  2. Kenji Go
  3. pp. 455-473
  4. DOI: 10.1353/sip.2012.0026
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  1. Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle
  2. Joshua S. Smith
  3. pp. 474-495
  4. DOI: 10.1353/sip.2012.0027
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  1. Sing Heavenly News: Journalism and Poetic Authority in Samuel Sheppard's The Faerie King (c. 1654)
  2. Marcus Nevitt
  3. pp. 496-518
  4. DOI: 10.1353/sip.2012.0029
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