1. (Mis)Reading the Libro de Buen Amor: Exemplary Ambiguity and Ambiguous Exempla
  2. Anthony J. Cárdenas-Rotunno
  3. pp. 3-11
  4. DOI: 10.1353/rmc.2012.0002
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  1. Golden Age Poesía de negros and Orlando di Lasso's Moresche: A Possible Connection
  2. Natalie Operstein
  3. pp. 13-18
  4. DOI: 10.1353/rmc.2012.0004
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  1. Power and Language in Jaume Cabré's Senyoria
  2. Kathleen M. Glenn
  3. pp. 19-26
  4. DOI: 10.1353/rmc.2012.0006
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  1. Hacia un barroquismo hispanoamericano: Hibridez e intertextualidad en el Coloquio de los cuatro últimos reyes de Tlaxcala
  2. Benito Quintana
  3. pp. 35-42
  4. DOI: 10.1353/rmc.2012.0010
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  1. Le Bonheur d'habiter la maison : Lecture de Mont-Cinère de Julien Green
  2. Lin Te-Yu
  3. pp. 51-59
  4. DOI: 10.1353/rmc.2012.0001
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  1. Silent Spectaculars: Adapting Balzac in Le Mort vivant (1912) and L'auberge rouge (1923)
  2. Andrew Watts
  3. pp. 61-69
  4. DOI: 10.1353/rmc.2012.0003
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  1. Ekphrasis and the Feminine in Sannazaro's Arcadia
  2. Melinda A. Cro
  3. pp. 71-78
  4. DOI: 10.1353/rmc.2012.0005
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  1. The Achilles Simile in Purgatorio 9
  2. Thomas E. Mussio
  3. pp. 79-87
  4. DOI: 10.1353/rmc.2012.0007
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  1. "Squarci di notti romane": Pasolini's Early Authorial Confessions
  2. Michael Syrimis
  3. pp. 89-96
  4. DOI: 10.1353/rmc.2012.0009
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  1. A citação popular no romance Fogo morto de José Lins do Rego
  2. Maria de Fátima Barbosa de Mesquita Batista
  3. pp. 97-109
  4. DOI: 10.1353/rmc.2012.0011
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