In this Issue
The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field.
published by
University of Minnesota Pressviewing issue
Volume 12, Number 1, Spring 2012Table of Contents

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View Encounters with the Real: Historicizing Stan Brakhage's The Act of Seeing with one's own eyes
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View Pressed into the Service of Cinema: Issues in Preserving the Software of Hollis Frampton and the Digital Arts Lab
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View Access and the Experimental Film: New Technologies and Anthology Film Archives' Institutionalization of the Avant-Garde
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View Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg
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View Who Is Going to Look at That?: Experiences, Possibilities, and Pitfalls of Keeping Experimental Film in a Mid-sized Film Archive
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ISSN | 1542-4235 |
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Print ISSN | 1532-3978 |
Launched on MUSE | 2012-07-11 |
Open Access | No |
Copyright
Copyright © the Association of Moving Image Archivists.