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Table of Contents

Department

  1. Another One Bites the Dust
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2012.0081
  5. restricted access

Focus: Petrofictions

  1. Introduction to Focus: Petrofictions
  2. Imre Szeman
  3. p. 3
  4. restricted access
  1. Gasoline Essence
  2. Warren Cariou
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2012.0093
  5. restricted access
  1. Oil's Long Shadow
  2. David Jefferess
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2012.0064
  5. restricted access
  1. Monumental Oil
  2. Marija Cetinić, Jeff Diamanti
  3. pp. 5-29
  4. DOI: https://doi.org/10.1353/abr.2012.0069
  5. restricted access
  1. Oil Landscapes
  2. Maria Whiteman
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2012.0074
  5. restricted access
  1. Oil and World Literature
  2. Graeme Macdonald
  3. pp. 7-31
  4. DOI: https://doi.org/10.1353/abr.2012.0079
  5. restricted access
  1. Oil Ethics
  2. Sheena Wilson
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2012.0085
  5. restricted access
  1. Signs of the End
  2. Brent Bellamy
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2012.0091
  5. restricted access
  1. Hidden Writing
  2. Zach Blas
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2012.0062
  5. restricted access
  1. Future's Past
  2. Gerry Canavan
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/abr.2012.0067
  5. restricted access
  1. Mining the Story
  2. Jon Gordon
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/abr.2012.0072
  5. restricted access
  1. Behind the Headlines
  2. Jennifer Wenzel
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2012.0077
  5. restricted access
  1. Blood on the Page
  2. Melody Jue
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2012.0083
  5. restricted access
  1. Non Public Spaces
  2. Imre Szeman
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2012.0089
  5. restricted access
  1. Oil Abstractions
  2. Daniel Worden
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2012.0094
  5. restricted access
  1. Petroleum Prophecies
  2. Janet Stewart
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2012.0065
  5. restricted access

Book Reviews

  1. Imagination is Everything
  2. Daniel T. O'Hara
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2012.0070
  5. restricted access
  1. Comedy in the Ashes
  2. Eugene Wildman
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2012.0075
  5. restricted access
  1. Cutthroat Compositions
  2. Lavinia Ludlow
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2012.0080
  5. restricted access
  1. Time and Memory
  2. Christopher Cappelluti
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2012.0086
  5. restricted access
  1. Striking Fiction
  2. Jay Shearer
  3. p. 22
  4. DOI: https://doi.org/10.1353/abr.2012.0092
  5. restricted access
  1. Muddled Truths
  2. Jason Cook
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2012.0063
  5. restricted access
  1. The Next Fix
  2. R. Sebastian Bennett
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2012.0068
  5. restricted access
  1. Fools for Love
  2. Ivan Rodden
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2012.0073
  5. restricted access
  1. Becoming Kerouac
  2. Hassan Melehy
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.2012.0078
  5. restricted access
  1. Formal Attraction
  2. Clay Reynolds
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2012.0084
  5. restricted access
  1. Past Imperfect
  2. Michael Griffith
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2012.0090
  5. restricted access
  1. Hide and Seek
  2. Myrdene Anderson
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2012.0095
  5. restricted access
  1. Twists of Life
  2. Ryan Stone
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2012.0071
  5. restricted access
  1. Love Hurts
  2. Nava Renek
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/abr.2012.0066
  5. restricted access
  1. Survival Story
  2. Austin Gilmour
  3. p. 32
  4. DOI: https://doi.org/10.1353/abr.2012.0076
  5. restricted access

Departments

  1. From Our Own
  2. F. D. Reeve
  3. p. 34
  4. DOI: https://doi.org/10.1353/abr.2012.0082
  5. restricted access
  1. Scenes: Hawthorne Books an interview with Rhonda Hughes
  2. p. 35
  3. DOI: https://doi.org/10.1353/abr.2012.0088
  4. restricted access