+ MUSE Alert

In this Issue

Table of Contents

  1. The Arab Oedipus: Oriental Perspectives on the Myth
  2. Safi Mahmoud Mahfouz
  3. pp. 171-196
  4. DOI: https://doi.org/10.1353/mdr.2012.0019
  5. restricted access
  1. Oscar Wilde’s “Jewish Problem”: Salomé, the Ancient Hebrew and the Modern Jewess
  2. S.I. Salamensky
  3. pp. 197-215
  4. DOI: https://doi.org/10.1353/mdr.2012.0022
  5. restricted access
  1. Noli Me Tangere: Haptic Certitude in Beckett’s Eh Joe and Nacht und Träume
  2. Trish McTighe
  3. pp. 216-229
  4. DOI: https://doi.org/10.1353/mdr.2012.0024
  5. restricted access
  1. Subversion, Refusal, and Contingency: The Transgression of Liberal-Humanist Subjectivity and Characterization in Sarah Kane’s Cleansed, Crave, and 4.48 Psychosis
  2. Cristina Delgado-García
  3. pp. 230-250
  4. DOI: https://doi.org/10.1353/mdr.2012.0026
  5. restricted access
  1. Myth and Narrative in Mark Ravenhill’s Shopping and Fucking
  2. Thomas Horan
  3. pp. 251-266
  4. DOI: https://doi.org/10.1353/mdr.2012.0028
  5. restricted access

Reviews

  1. Second Skin: Josephine Baker and the Modern Surface (review)
  2. Judith Brown
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/mdr.2012.0030
  5. restricted access
  1. Engaging Performance: Theatre as Call and Response (review)
  2. Jimmy A. Noriega
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/mdr.2012.0018
  5. restricted access
  1. Social Works: Performing Art, Supporting Publics (review)
  2. Sonja Arsham Kuftinec
  3. pp. 271-274
  4. DOI: https://doi.org/10.1353/mdr.2012.0021
  5. restricted access
  1. Situating Opera: Period, Genre, Reception (review)
  2. Samuel Dwinell
  3. pp. 274-276
  4. DOI: https://doi.org/10.1353/mdr.2012.0023
  5. restricted access
  1. Yeats and European Drama (review)
  2. George Cusack
  3. pp. 276-278
  4. DOI: https://doi.org/10.1353/mdr.2012.0025
  5. restricted access
  1. Site-Specific Performance (review)
  2. Theron Schmidt
  3. pp. 278-280
  4. DOI: https://doi.org/10.1353/mdr.2012.0027
  5. restricted access
  1. Philosophers and Thespians: Thinking Performance (review)
  2. David Krasner
  3. pp. 280-283
  4. DOI: https://doi.org/10.1353/mdr.2012.0029
  5. restricted access
  1. Performing Remains: Art and War in Times of Theatrical Reenactment (review)
  2. T. Nikki Cesare
  3. pp. 283-285
  4. DOI: https://doi.org/10.1353/mdr.2012.0031
  5. restricted access
  1. Contributors
  3. p. 286
  4. DOI: https://doi.org/10.1353/mdr.2012.0020
  5. restricted access