1. The Arab Oedipus: Oriental Perspectives on the Myth
  2. Safi Mahmoud Mahfouz
  3. pp. 171-196
  4. DOI: 10.1353/mdr.2012.0019
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  1. Oscar Wilde’s “Jewish Problem”: Salomé, the Ancient Hebrew and the Modern Jewess
  2. S.I. Salamensky
  3. pp. 197-215
  4. DOI: 10.1353/mdr.2012.0022
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  1. Noli Me Tangere: Haptic Certitude in Beckett’s Eh Joe and Nacht und Träume
  2. Trish McTighe
  3. pp. 216-229
  4. DOI: 10.1353/mdr.2012.0024
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  1. Myth and Narrative in Mark Ravenhill’s Shopping and Fucking
  2. Thomas Horan
  3. pp. 251-266
  4. DOI: 10.1353/mdr.2012.0028
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  1. Second Skin: Josephine Baker and the Modern Surface (review)
  2. Judith Brown
  3. pp. 267-269
  4. DOI: 10.1353/mdr.2012.0030
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  1. Engaging Performance: Theatre as Call and Response (review)
  2. Jimmy A. Noriega
  3. pp. 269-271
  4. DOI: 10.1353/mdr.2012.0018
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  1. Social Works: Performing Art, Supporting Publics (review)
  2. Sonja Arsham Kuftinec
  3. pp. 271-274
  4. DOI: 10.1353/mdr.2012.0021
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  1. Situating Opera: Period, Genre, Reception (review)
  2. Samuel Dwinell
  3. pp. 274-276
  4. DOI: 10.1353/mdr.2012.0023
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  1. Yeats and European Drama (review)
  2. George Cusack
  3. pp. 276-278
  4. DOI: 10.1353/mdr.2012.0025
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  1. Site-Specific Performance (review)
  2. Theron Schmidt
  3. pp. 278-280
  4. DOI: 10.1353/mdr.2012.0027
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  1. Philosophers and Thespians: Thinking Performance (review)
  2. David Krasner
  3. pp. 280-283
  4. DOI: 10.1353/mdr.2012.0029
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  1. Performing Remains: Art and War in Times of Theatrical Reenactment (review)
  2. T. Nikki Cesare
  3. pp. 283-285
  4. DOI: 10.1353/mdr.2012.0031
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  1. Contributors
  2. p. 286
  3. DOI: 10.1353/mdr.2012.0020
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