1. Dirty Books: Modernism and the Toilet
  2. Ian Scott Todd
  3. pp. 191-213
  4. DOI: 10.1353/mfs.2012.0020
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  1. The Extraterritorial Poetics of W. G. Sebald
  2. Matthew Hart, Tania Lown-Hecht
  3. pp. 214-238
  4. DOI: 10.1353/mfs.2012.0025
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  1. The Chinatown and the City: Kingston, Kerouac, and the Bohemian Bay Area
  2. Jason Arthur
  3. pp. 239-260
  4. DOI: 10.1353/mfs.2012.0029
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  1. A Little Fiction is Good for You: Currency Crisis, The Nation State, and Waugh's African Texts
  2. Alissa Karl
  3. pp. 261-283
  4. DOI: 10.1353/mfs.2012.0033
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  1. How to Love Your Local Homophobe: Southern Hospitality and the Unremarkable Queerness of Truman Capote's "The Thanksgiving Visitor"
  2. Michael P. Bibler
  3. pp. 284-307
  4. DOI: 10.1353/mfs.2012.0037
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  1. "Gravity rushes through him": Volk and Fetish in Pynchon's Rilke
  2. Doug Haynes
  3. pp. 308-333
  4. DOI: 10.1353/mfs.2012.0042
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  1. Aphrodite's Faces: Toni Morrison's Love and Ethics
  2. Mariangela Palladino
  3. pp. 334-352
  4. DOI: 10.1353/mfs.2012.0047
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  1. Cognitive Theory and Literature
  2. Theron Britt
  3. pp. 353-362
  4. DOI: 10.1353/mfs.2012.0023
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  1. Underneath, at the Edges, and in the Heart of the Urban Imagination
  2. Kathy Knapp
  3. pp. 363-373
  4. DOI: 10.1353/mfs.2012.0027
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  1. Front Lines of Modernism: Remapping the Great War in British Fiction (review)
  2. Claire Barber
  3. pp. 375-377
  4. DOI: 10.1353/mfs.2012.0031
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  1. The Program Era: Postwar Fiction and the Rise of Creative Writing (review)
  2. Eric Bennett
  3. pp. 378-380
  4. DOI: 10.1353/mfs.2012.0035
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  1. Repression and Realism in Post-War American Literature (review)
  2. Shang Biwu
  3. pp. 381-383
  4. DOI: 10.1353/mfs.2012.0040
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  1. Reading as Therapy: What Contemporary Fiction Does for Middle-Class Americans (review)
  2. Marco Caracciolo
  3. pp. 384-386
  4. DOI: 10.1353/mfs.2012.0045
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  1. The Event of Postcolonial Shame (review)
  2. Hamish Dalley
  3. pp. 386-388
  4. DOI: 10.1353/mfs.2012.0021
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  1. The Literature Police: Apartheid Censorship and its Cultural Consequences (review)
  2. Shane Graham
  3. pp. 389-391
  4. DOI: 10.1353/mfs.2012.0030
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  1. The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya (review)
  2. Laurel Harris
  3. pp. 392-394
  4. DOI: 10.1353/mfs.2012.0034
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  1. Gender, Race, and Mourning in American Modernism (review)
  2. Jolene Hubbs
  3. pp. 395-397
  4. DOI: 10.1353/mfs.2012.0038
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  1. Mythohistorical Interventions: The Chicano Movement and Its Legacies (review)
  2. Guisela Latorre
  3. pp. 397-400
  4. DOI: 10.1353/mfs.2012.0043
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  1. The Rise of the American Comics Artist: Creators and Contexts (review)
  2. Sophie-Anne Park
  3. pp. 400-403
  4. DOI: 10.1353/mfs.2012.0019
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  1. Subjectivity in the American Protest Novel (review)
  2. Stephen M. Park
  3. pp. 403-406
  4. DOI: 10.1353/mfs.2012.0024
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  1. Creating Consilience: Integrating the Sciences and the Humanities (review)
  2. Louis Slimak
  3. pp. 406-409
  4. DOI: 10.1353/mfs.2012.0028
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  1. The Political Novel: Re-Imagining the Twentieth Century (review)
  2. Janis P. Stout
  3. pp. 410-412
  4. DOI: 10.1353/mfs.2012.0032
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  1. Modernism, Ireland, and Civil War (review)
  2. Spurgeon Thompson
  3. pp. 412-414
  4. DOI: 10.1353/mfs.2012.0036
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  1. Neo-Segregation Narratives: Jim Crow in Post-Civil Rights American Literature (review)
  2. Terence Tucker
  3. pp. 415-417
  4. DOI: 10.1353/mfs.2012.0041
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  1. James Joyce and the Revolt of Love: Marriage, Adultery and Desire (review)
  2. Juliane White
  3. pp. 417-420
  4. DOI: 10.1353/mfs.2012.0046
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  1. Post-War British Women Novelists and the Canon (review)
  2. Nonia Wiliams
  3. pp. 420-423
  4. DOI: 10.1353/mfs.2012.0022
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  1. 2011 Margaret Church MFS Memorial Prize
  3. p. vi
  4. DOI: 10.1353/mfs.2012.0044
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  1. Contributors
  3. pp. 424-425
  4. DOI: 10.1353/mfs.2012.0039
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