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Table of Contents

  1. Editor's Note
  2. Amelia Larson
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/rcr.2012.0023
  5. restricted access
  1. To My Future Offspring
  2. Leena Joshi
  3. p. 3
  4. DOI: https://doi.org/10.1353/rcr.2012.0002
  5. restricted access
  1. The Verdict: Beauty First without Blame.
  2. Erik James Wilbur
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/rcr.2012.0006
  5. restricted access
  1. To Mr. & Mrs. Tempe
  2. Jared Shaffer
  3. pp. 7-12
  4. DOI: https://doi.org/10.1353/rcr.2012.0010
  5. restricted access
  1. Young Lovin
  2. Leena Joshi
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/rcr.2012.0014
  5. restricted access
  1. If I Were to Lie in Limbo
  2. Keith Magnuson
  3. pp. 15-19
  4. DOI: https://doi.org/10.1353/rcr.2012.0017
  5. restricted access
  1. Sour Liver Vodka
  2. Margaret O'Brien
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/rcr.2012.0021
  5. restricted access
  1. 21 Gun Salute
  2. Ben Alfaro
  3. p. 23
  4. DOI: https://doi.org/10.1353/rcr.2012.0000
  5. restricted access
  1. My Semester Abroad by Xiu Li Zheng
  2. Lynette Score
  3. pp. 25-27
  4. DOI: https://doi.org/10.1353/rcr.2012.0004
  5. restricted access
  1. In All Honesty
  2. Corrine Pratt
  3. pp. 29-33
  4. DOI: https://doi.org/10.1353/rcr.2012.0008
  5. restricted access
  1. Hunger
  2. Charissa Kim
  3. p. 34
  4. DOI: https://doi.org/10.1353/rcr.2012.0012
  5. restricted access
  1. Paradox
  2. Alora Wilde
  3. p. 35
  4. DOI: https://doi.org/10.1353/rcr.2012.0016
  5. restricted access
  1. Benjamin
  2. Andrea Bartley
  3. p. 36
  4. DOI: https://doi.org/10.1353/rcr.2012.0020
  5. restricted access
  1. Architekton-Archimago
  2. Alexandra Hay
  3. p. 37
  4. DOI: https://doi.org/10.1353/rcr.2012.0024
  5. restricted access
  1. Strike a Pose
  2. Chase O'Black
  3. p. 38
  4. DOI: https://doi.org/10.1353/rcr.2012.0003
  5. restricted access
  1. Fruit
  2. Andrew Phillips
  3. p. 39
  4. DOI: https://doi.org/10.1353/rcr.2012.0007
  5. restricted access
  1. Mobo
  2. Shira Golden Kresch
  3. p. 40
  4. DOI: https://doi.org/10.1353/rcr.2012.0011
  5. restricted access
  1. Looking for Astronauts
  2. Dana Diehl
  3. pp. 41-51
  4. DOI: https://doi.org/10.1353/rcr.2012.0015
  5. restricted access
  1. Quiet People
  2. Carrie Walker
  3. pp. 53-55
  4. DOI: https://doi.org/10.1353/rcr.2012.0018
  5. restricted access
  1. My Father's Hands
  2. Erik James Wilbur
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/rcr.2012.0022
  5. restricted access
  1. Waiting for the 6: Cypress Avenue, 1982
  2. Ben Alfaro
  3. p. 59
  4. DOI: https://doi.org/10.1353/rcr.2012.0001
  5. restricted access
  1. Shark
  2. Julia Howland-Myers
  3. pp. 61-66
  4. DOI: https://doi.org/10.1353/rcr.2012.0005
  5. restricted access
  1. Kholodnaya Voyna
  2. Marianne Chan
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/rcr.2012.0009
  5. restricted access
  1. Recipe for Crepes
  2. Anna Wildfong
  3. pp. 69-70
  4. DOI: https://doi.org/10.1353/rcr.2012.0013
  5. restricted access
  1. Contributors
  2. pp. 71-73
  3. DOI: https://doi.org/10.1353/rcr.2012.0019
  4. restricted access

Previous Issue

Volume 46, 2011