restricted access   Number 51, Spring 2003

Table of Contents

From: The Velvet Light Trap

Next Issue

Introduction

pp. 1-3
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DOI: 10.1353/vlt.2003.0006
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Articles

The Uncanny Body of Early Sound Film

pp. 4-16
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DOI: 10.1353/vlt.2003.0011
Robert Spadoni
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Audition: Making Sense of/in the Cinema

pp. 17-28
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DOI: 10.1353/vlt.2003.0009
Craig Sinclair
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Black Faces, White Voices: The Politics of Dubbing in Carmen Jones

pp. 29-42
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DOI: 10.1353/vlt.2003.0010
Jeff Smith
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Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema

pp. 43-53
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DOI: 10.1353/vlt.2003.0007
Priya Jha
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"God Give Me Strength": The Melodramatic Sound Tracks of Director Allison Anders

pp. 54-66
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DOI: 10.1353/vlt.2003.0012
Debra White-Stanley
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An Interview with Rick Altman

pp. 67-72
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DOI: 10.1353/vlt.2003.0002
Rick Altman
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Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell

pp. 73-91
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DOI: 10.1353/vlt.2003.0003
James Buhler, Anahid Kassabian, David Neumeyer, Robynn Jeananne Stilwell, Kyle Barnett, Sarah Lynne Bowman, Ana Boa-Ventura
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Book Reviews

Soundtrack Available: Essays on Film and Popular Music (review)

pp. 92-95
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DOI: 10.1353/vlt.2003.0001
Kyle Barnett
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Global Hollywood (review)

pp. 96-99
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DOI: 10.1353/vlt.2003.0005
Holly Ann Custard
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Horse Opera: The Strange History of the 1930s Singing Cowboy (review)

pp. 100-102
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DOI: 10.1353/vlt.2003.0008
Erich Pelletier
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Contributors

p. i
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DOI: 10.1353/vlt.2003.0004
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