1. The Uncanny Body of Early Sound Film
  2. Robert Spadoni
  3. pp. 4-16
  4. DOI: 10.1353/vlt.2003.0011
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  1. Audition: Making Sense of/in the Cinema
  2. Craig Sinclair
  3. pp. 17-28
  4. DOI: 10.1353/vlt.2003.0009
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  1. Black Faces, White Voices: The Politics of Dubbing in Carmen Jones
  2. Jeff Smith
  3. pp. 29-42
  4. DOI: 10.1353/vlt.2003.0010
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  1. Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema
  2. Priya Jha
  3. pp. 43-53
  4. DOI: 10.1353/vlt.2003.0007
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  1. "God Give Me Strength": The Melodramatic Sound Tracks of Director Allison Anders
  2. Debra White-Stanley
  3. pp. 54-66
  4. DOI: 10.1353/vlt.2003.0012
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  1. An Interview with Rick Altman
  2. Rick Altman
  3. pp. 67-72
  4. DOI: 10.1353/vlt.2003.0002
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  1. Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell
  2. James Buhler, Anahid Kassabian, David Neumeyer, Robynn Jeananne Stilwell, Kyle Barnett, Sarah Lynne Bowman, Ana Boa-Ventura
  3. pp. 73-91
  4. DOI: 10.1353/vlt.2003.0003
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  1. Soundtrack Available: Essays on Film and Popular Music (review)
  2. Kyle Barnett
  3. pp. 92-95
  4. DOI: 10.1353/vlt.2003.0001
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  1. Global Hollywood (review)
  2. Holly Ann Custard
  3. pp. 96-99
  4. DOI: 10.1353/vlt.2003.0005
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  1. Horse Opera: The Strange History of the 1930s Singing Cowboy (review)
  2. Erich Pelletier
  3. pp. 100-102
  4. DOI: 10.1353/vlt.2003.0008
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  1. Contributors
  3. p. i
  4. DOI: 10.1353/vlt.2003.0004
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  1. Introduction
  3. pp. 1-3
  4. DOI: 10.1353/vlt.2003.0006
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