In this Issue

Table of Contents

The Uncanny Body of Early Sound Film

Robert Spadoni
pp. 4-16
DOI: https://doi.org/10.1353/vlt.2003.0011
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Audition: Making Sense of/in the Cinema

Craig Sinclair
pp. 17-28
DOI: https://doi.org/10.1353/vlt.2003.0009
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Black Faces, White Voices: The Politics of Dubbing in Carmen Jones

Jeff Smith
pp. 29-42
DOI: https://doi.org/10.1353/vlt.2003.0010
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Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema

Priya Jha
pp. 43-53
DOI: https://doi.org/10.1353/vlt.2003.0007
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"God Give Me Strength": The Melodramatic Sound Tracks of Director Allison Anders

Debra White-Stanley
pp. 54-66
DOI: https://doi.org/10.1353/vlt.2003.0012
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An Interview with Rick Altman

Rick Altman
pp. 67-72
DOI: https://doi.org/10.1353/vlt.2003.0002
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Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell

James Buhler, Anahid Kassabian, David Neumeyer, Robynn Jeananne Stilwell, Kyle Barnett, Sarah Lynne Bowman, Ana Boa-Ventura
pp. 73-91
DOI: https://doi.org/10.1353/vlt.2003.0003
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Soundtrack Available: Essays on Film and Popular Music (review)

Kyle Barnett
pp. 92-95
DOI: https://doi.org/10.1353/vlt.2003.0001
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Global Hollywood (review)

Holly Ann Custard
pp. 96-99
DOI: https://doi.org/10.1353/vlt.2003.0005
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Horse Opera: The Strange History of the 1930s Singing Cowboy (review)

Erich Pelletier
pp. 100-102
DOI: https://doi.org/10.1353/vlt.2003.0008
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Contributors

p. i
DOI: https://doi.org/10.1353/vlt.2003.0004
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Introduction

pp. 1-3
DOI: https://doi.org/10.1353/vlt.2003.0006
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