In this Issue

Table of Contents

Obscurity and the Poetics of Non/Sense in the Writings of Raymond Roussel and Fernando Pessoa

Eldritch Priest
pp. 1-17
DOI: https://doi.org/10.1353/mos.2012.a479197
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Writing through Merce: John Cage's Silence, Differends, and Avant-Garde Idioms

Andy Weaver
pp. 19-37
DOI: https://doi.org/10.1353/mos.2012.a479198
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"The poor man's club": The Middle Classes, the Public House, and the Idea of Community in the Nineteen-Thirties

Ben Clarke
pp. 39-54
DOI: https://doi.org/10.1353/mos.2012.a479199
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Secular Apocalypses: Darwinian Criticism and Atwoodian Floods

Andrew Hoogheem
pp. 55-71
DOI: https://doi.org/10.1353/mos.2012.a479200
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Photographic Documents and Postmodern Fictions: Photobooks by Susan Meiselas and Gregory Crewdson

Marion K. McInnes
pp. 73-94
DOI: https://doi.org/10.1353/mos.2012.a479201
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"Never Meant To Be": Porcupines and China Dolls as a Fetal-Alcohol Narrative

Helen Hoy
pp. 95-112
DOI: https://doi.org/10.1353/mos.2012.a479202
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Helen's Quilt as Autobiographical, Social, and Political Text in Thomas King's Truth and Bright Water

Deborah Weagel
pp. 113-130
DOI: https://doi.org/10.1353/mos.2012.a479203
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Reading Modernity in Mambety's La Petite vendeuse de soleil: Orality, Literacy, and the Regional Imaginary

Ann Elizabeth Willey
pp. 131-148
DOI: https://doi.org/10.1353/mos.2012.a479204
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Leaving the House of Memory: Post-Soviet Traces of Deportation Memory

Rebecca Gould
pp. 149-164
DOI: https://doi.org/10.1353/mos.2012.a479205
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Screened Trauma: World War II, Dead(ly) Women, and Wilson's Hetty Dorval

Christa Zeller Thomas
pp. 165-180
DOI: https://doi.org/10.1353/mos.2012.a479206
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Introduction

Dawne McCance
pp. v-vi
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