1. Justice Is a Mirage: Failures of Religious Order in Marlowe's Tamburlaine Plays
  2. Leila Watkins
  3. pp. 163-185
  4. DOI: 10.1353/cdr.2012.0018
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  1. Ambiguous Allegories: What the Mythological Comedia Reveals About Baroque Tragedy
  2. Sofie Kluge
  3. pp. 187-207
  4. DOI: 10.1353/cdr.2012.0020
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  1. Memory's Dramas, Modernity's Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's The Long Christmas Ride Home
  2. Joanna Mansbridge
  3. pp. 210-235
  4. DOI: 10.1353/cdr.2012.0022
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  1. Inns of Court: Records of Early English Drama (review)
  2. W. R. Streitberger
  3. pp. 237-241
  4. DOI: 10.1353/cdr.2012.0013
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  1. Playwright, Space and Place in Early Modern Performance: Shakespeare and Company (review)
  2. Michael Flachmann
  3. pp. 241-243
  4. DOI: 10.1353/cdr.2012.0014
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  1. Erotic Subjects: The Sexuality of Politics in Early Modern English Literature (review)
  2. James M. Bromley
  3. pp. 243-246
  4. DOI: 10.1353/cdr.2012.0015
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  1. Sexual Types: Embodiment, Agency, and Dramatic Character from Shakespeare to Shirley (review)
  2. Melissa E. Sanchez
  3. pp. 247-249
  4. DOI: 10.1353/cdr.2012.0017
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  1. Motherhood and Patriarchal Masculinities in Sixteenth-Century Italian Comedy (review)
  2. Sal DiMaria
  3. pp. 249-252
  4. DOI: 10.1353/cdr.2012.0019
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  1. Brief Notices
  2. pp. 253-255
  3. DOI: 10.1353/cdr.2012.0021
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  1. Contributors
  2. pp. 257-258
  3. DOI: 10.1353/cdr.2012.0012
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